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无序与混乱—《针眼》后现代叙事技巧探析

ACKNOWLEDGEMENTS第7-8页
ABSTRACT第8页
摘要第9-12页
CHAPTER Ⅰ INTRODUCTION第12-19页
    1.1 An Introduction to Margaret Drabble and The Needle’s Eye第12-17页
        1.1.1 Introduction to Margaret Drabble第12-15页
        1.1.2 The Plot of The Needle’s Eye第15-17页
    1.2 The Significance of the Study第17页
    1.3 Thesis Structure第17-19页
CHAPTER Ⅱ LITERATURE REVIEW第19-26页
    2.1 Studies Abroad第19-23页
    2.2 Studies at Home第23-26页
CHAPTER Ⅲ THEORETICAL BASIS第26-33页
    3.1 Theory of Postmodernism第26-28页
    3.2 Typical Features of Postmodernism第28-33页
        3.2.1 Fragmentation第29-30页
        3.2.2 Indeterminacy第30-31页
        3.2.3 Intertextuality第31-33页
CHAPTER ⅣFRAGMENTATION OF CHARACTERS ANDSTRUCTURE IN THE NEEDLE’S EYE第33-48页
    4.1 Fragmentation of Characters in The Needle’s Eye第33-42页
        4.1.1 Rose – A Woman of Female and Family Consciousness第34-36页
        4.1.2 Simon – A Man of Responsibility and Reputation第36-40页
        4.1.3 Christopher – An Ordinary and Selfish Driver第40-42页
    4.2 Fragmentation of Structure in The Needle’s Eye第42-48页
        4.2.1 Non-linear Chronological Order第42-45页
        4.2.2 Non-coherent Plot第45-48页
Chapter Ⅴ INDETERMINACY OF NARRATORS IN THE NEEDLE’SEYE第48-57页
    5.1 Omniscient Narrator第48-51页
    5.2 Main Characters as the Narrator第51-54页
        5.2.1 Simon as the Narrator第51-53页
        5.2.2 Rose as the Narrator第53-54页
    5.3 External Narrators第54-57页
        5.3.1 Mrs Bryanston as the External Narrator第54-55页
        5.3.2 An Unknown Man as the External Narrator第55-57页
Chapter ⅥINTERTEXTUALITY IN THE NEEDLE’S EYE第57-67页
    6.1 Intertextuality of Social Background – Partiality and the Law第57-63页
    6.2 Intertextuality of Historical Background – Religion第63-67页
Chapter Ⅶ CONCLUSION第67-69页
WORKS CITED第69-72页

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