| ABSTRACT(ENGLISH) | 第1-8页 |
| ABSTRACT(CHINESE) | 第8-13页 |
| CHAPTERI. INTRODUCTION | 第13-26页 |
| A. An Introduction to Toni Morrison and The Bluest Eye | 第13-15页 |
| 1. An Introduction to Toni Morrison | 第13-14页 |
| 2. An Introduction to The Bluest Eye | 第14-15页 |
| B. An Introduction to Frantz Fanon’s Racial Trauma Theory | 第15-24页 |
| 1. The Cultural Imposition of the White | 第17-20页 |
| 2. The Inferiority Complex of the Black | 第20-24页 |
| C. Thesis Statement | 第24-26页 |
| CHAPTER II. THE WHITE’S CULTURAL IMPOSITION REFLECTED IN THE BLUESTEYE | 第26-43页 |
| A. The Essences of Cultural Imposition | 第26-33页 |
| 1. Performativity of Race | 第26-31页 |
| 2. Collective Catharsis | 第31-33页 |
| B. The Avenue to Achieve Cultural Imposition | 第33-41页 |
| 1. Education | 第33-37页 |
| 2. Mass Media | 第37-41页 |
| C. A Summary | 第41-43页 |
| CHAPTER III. THE BLACK’S INFERIORITY COMPLEX REFLECTED IN THEBLUEST EYE | 第43-56页 |
| A. The Roots of Their Inferiority Complex | 第43-48页 |
| 1. Cholly: An Outcast Child Abandoned by His Parents | 第44-46页 |
| 2. Pauline: An Inferior Child Caused by Her Physical Defect | 第46-47页 |
| 3. Pecola: An“Ugly”Child Covered by Black Skin | 第47-48页 |
| B. The Manifestation of Their Inferiority Complex | 第48-54页 |
| 1. Cholly: A Traumatized Violent Perpetrator | 第49-51页 |
| 2. Pauline: An Aliened Moral Embracer | 第51-53页 |
| 3. Pecola: A Distorted Blue-Eyed Prayer | 第53-54页 |
| C. A Summary | 第54-56页 |
| CHAPTER IV. THE CULTURAL RESISTANCE AND SURVIVAL IN THE BLUESTEYE | 第56-61页 |
| A. Affection in Black Family | 第56-58页 |
| B. Love of Black Image | 第58-60页 |
| C. Summary | 第60-61页 |
| CHAPTER V. CONCLUSION | 第61-64页 |
| A. The Major Findings of the Study | 第61-62页 |
| B. The Implications of the Study | 第62页 |
| C. The Limitations of the Study | 第62-63页 |
| D. The Suggestions for Future Study | 第63-64页 |
| WORKS CITED | 第64-66页 |
| ACKNOWLEDGEMENTS | 第66页 |
