摘要 | 第1-5页 |
Abstract | 第5-7页 |
Acknowledgements | 第7-9页 |
Introduction | 第9-17页 |
Chapter One The Deconstruction of the Sublime Model | 第17-29页 |
·Irony in the French Lieutenantt's Woman | 第17-22页 |
·Ernestina as an Orthodox Woman and Mrs.Poulteney as a HypocriticalChristian | 第18-20页 |
·Charles's Refusal to Progress | 第20-22页 |
·Parody and in the French Lieutenantt's Women | 第22-29页 |
·Parody of the Traditional Victorian Novels | 第23-26页 |
·Parody of the Historic Figures | 第26-29页 |
Chapter Two Deconstruction of the Traditional Grand Narrative Strategy | 第29-41页 |
·Unreable Narration in the French Lieutenantt's Women | 第30-36页 |
·The Selective Omniscient Narrator | 第30-33页 |
·The Fictionality of the Historical Narration | 第33-36页 |
·Historiographic Metafictinal Narrative Strategies | 第36-41页 |
·The Intrusive Author | 第36-38页 |
·Anachronism | 第38-39页 |
·The Art of Collage | 第39-41页 |
Chapter Three The Impact of the New Historism on the Construction of History | 第41-50页 |
·The Historicity of Fowles's Text | 第41-46页 |
·The Emerging in Dustrialism | 第42-43页 |
·The Stiffing Victorian Social System | 第43-46页 |
·The Textuality of Fowles's History | 第46-50页 |
·Different Histories Constrcted in the French Lieutenantt's Woman | 第46-47页 |
·Fowlws's Strategy of Constructing His History | 第47-50页 |
Conclusion | 第50-52页 |
Works Cited | 第52-56页 |