| 摘要 | 第1-5页 |
| Abstract | 第5-9页 |
| Introduction | 第9-21页 |
| ·Critical Review of Possession | 第10-16页 |
| ·Theoretical Review of “Space” | 第16-19页 |
| ·The Feasibility and Significance of the Research | 第19-21页 |
| Chapter 1 Women’s Confined Individual Space | 第21-30页 |
| ·Christabel LaMotte’s Isolated Microspace in Victorian Times | 第21-24页 |
| ·Ellen Ash’s Self-sacrificed Mesospace in Victorian Times | 第24-26页 |
| ·Maud Bailey’s Fringe Macrospace in Modern Times | 第26-30页 |
| Chapter 2 Women’s Enlarged Individual Space | 第30-37页 |
| ·Christabel LaMotte’s Sisterhood to Enlarge Her Microspace | 第30-32页 |
| ·Ellen Ash’s Writing as a Way to Enlarge Her Mesospace | 第32-34页 |
| ·Maud Bailey’s Cooperated Search Journey with Roland to Enlarge Her Macrospace | 第34-37页 |
| Chapter 3 The Dialectical Role of Their Individual Space | 第37-46页 |
| ·Randolph Ash’s Intrusion into Christabel LaMotte’s Microspace as Pusher and Destroyer | 第37-40页 |
| ·A Room of Ellen Ash’s Own as a Holy Palace and a House Full of Deceit | 第40-43页 |
| ·Maud Bailey’s Harmonious Male-female Relationship with Roland in Her Macrospace | 第43-46页 |
| Conclusion | 第46-49页 |
| Works Cited | 第49-53页 |
| Acknowledgements | 第53-54页 |
| Informative Chinese Abstract | 第54-58页 |
| Résuméand Publications since Entering the Program | 第58页 |
