| 摘要 | 第1-6页 |
| Abstract | 第6-9页 |
| 1 Introduction | 第9-16页 |
| ·A Brief Introduction to the Author | 第9-11页 |
| ·A Brief Introduction to The Blood Oranges | 第11-12页 |
| ·Literature Review | 第12-14页 |
| ·The Latest Findings at Abroad | 第13-14页 |
| ·The Latest Findings at Home | 第14页 |
| ·The Proposition of the Main Arguments and the Significance of the Research | 第14-16页 |
| 2 A Panorama of Gothic Novel | 第16-26页 |
| ·The Origin and Development of Gothic Novel | 第16-21页 |
| ·The Origin and Cultural Background of Gothic Novel | 第16-17页 |
| ·The Development of Gothic Novel in England and America | 第17-21页 |
| ·The Characteristic of Gothic Novel | 第21-23页 |
| ·Horrible Setting | 第21-22页 |
| ·Appalling Violence | 第22-23页 |
| ·Grotesque Supernatural | 第23页 |
| ·Hawkes’Inheritance and Development of the Gothic Novel | 第23-26页 |
| ·The Blood Oranges as a Contemporary American Gothic Novel | 第24-25页 |
| ·The New Gothic World of John Hawkes | 第25-26页 |
| 3 Imagination of the Setting and Violence in Hawkes’The Blood Oranges | 第26-39页 |
| ·The Gothic Traits in The Blood Oranges | 第26-33页 |
| ·Nightmarish Setting | 第26-28页 |
| ·Sex Violence ——the Chastity Belt | 第28-30页 |
| ·The Death | 第30-32页 |
| ·The Various Images | 第32-33页 |
| ·The Landscapes of the Imagination: the Function and Aesthetic Value | 第33-39页 |
| ·A Newly Envisioned World: the Fictional Landscapes in The Blood Oranges | 第34-37页 |
| ·Dreadful Charm: the Aesthetic Value of Terror | 第37-39页 |
| 4 The Comic Terror in The Blood Oranges | 第39-53页 |
| ·Thrilling Laughter and the Comic Terror in The Blood Oranges | 第40-48页 |
| ·The Sex-singer’s Soliloquy | 第41-45页 |
| ·The Ironic Symbols and Metaphors | 第45-48页 |
| ·The Significance and Aesthetic Value of Hawkes’Comic Terror | 第48-53页 |
| ·To Love, to Sympathy and to Hope: Surpass the Tradition | 第48-50页 |
| ·The Aesthetic Charm of The Blood Oranges | 第50-53页 |
| 5 Conclusion | 第53-54页 |
| References | 第54-56页 |
| Acknowledgement | 第56-57页 |
