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空间视域下解读《芒果街上的小屋》中的身份认同

Acknowledgements第7-8页
摘要第8-9页
Abstract第9页
Chapter One INTRODUCTION第12-17页
    1.1 Research Background第12-15页
    1.2 Research Purpose and Significance第15-17页
Chapter Two LITERATURE REVIEW第17-20页
    2.1 Overseas Research第17-18页
    2.2 Domestic Research第18-20页
Chapter Three THEORETICAL FRAMEWORK第20-27页
    3.1 The Origin of Space Theory第20-23页
    3.2 The Contents of Space Theory第23-27页
        3.2.1 Spatial Practice第23-24页
        3.2.2 Representational Space第24-27页
Chapter Four IDENTITY OF THE MAIN CHARACTERS INSPATIAL PRACTICE第27-39页
    4.1 Identity of the Heroine in Spatial Practice第28-34页
        4.1.1 Esperanza’s Individual Identity in Spatial Practice第28-30页
        4.1.2 Esperanza’s Self-identity in Spatial Practice第30-32页
        4.1.3 Esperanza’s Collective Identity in Spatial Practice第32-34页
    4.2 Identity of Others in Spatial Practice第34-39页
        4.2.1 Identity of Alicia in Spatial Practice第34-35页
        4.2.2 Identity of Esperanza’s Mother in Spatial Practice第35-37页
        4.2.3 Identity of Minerva in Spatial Practice第37-39页
Chapter Five IDENTITY OF THE MAIN CHARACTERS INREPRESENTATIONAL SPACE第39-54页
    5.1 Identity of the Heroine in Representational Space第39-46页
        5.1.1 Esperanza’s Individual Identity in Representational Space第40-42页
        5.1.2 Esperanza’s Self-identity in Representational Space第42-44页
        5.1.3 Esperanza’s Collective Identity in Representational Space第44-46页
    5.2 Identity of Others in Representational Space第46-54页
        5.2.1 Mamacita's Identity in Representational Space第46-48页
        5.2.2 Identity of Esperanza's Mother and Rafaela inRepresentational Space第48-50页
        5.2.3 Identity of Minerva in Representational Space第50-54页
Chapter Six CONCLUSION第54-57页
    6.1 Major Findings of present study第54-55页
    6.2 Limitations and suggestions for further study第55-57页
Works Cited第57-61页

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