| Abstract | 第4-6页 |
| 摘要 | 第7-10页 |
| Introduction | 第10-24页 |
| Chapter One Perplexity and Uncertainty of Self-identity | 第24-44页 |
| 1.1 Miss Amelia: A Masculine Lady with an Indifferent Heart | 第25-30页 |
| 1.2 Cousin Lymon: A Deformed Hunchback with a Rootless Heart | 第30-36页 |
| 1.3 Marvin Macy: A Feminine Wastrel with an Abnormal Heart | 第36-44页 |
| Chapter Two Misrecognition of Self-identity | 第44-72页 |
| 2.1 Miss Amelia’s Infatuation in Identifying with Mirror Images | 第45-54页 |
| 2.1.1 The Obscure Image: Grudging Acceptance of Marvin Macy | 第46-50页 |
| 2.1.2 The Malformed Image: Desperate Obsession with Cousin Lymon | 第50-54页 |
| 2.2 Cousin Lymon’s Quandary in Oedipus Complex | 第54-63页 |
| 2.2.1 Indulging in Fantasy: The Desire of the Mother | 第56-59页 |
| 2.2.2 Identifying with the Phallus: The Name-of-the-Father | 第59-63页 |
| 2.3 Marvin Macy’s Narcissism in Identifying with the Ideal-image | 第63-72页 |
| 2.3.1 Affirmative Relationship with the Ideal-image | 第64-68页 |
| 2.3.2 Negative Relationship with the Ideal-image | 第68-72页 |
| Chapter Three Tragic Denouement of Self-identity | 第72-90页 |
| 3.1 Miss Amelia: Lifelong Lingering in the Mirror Stage | 第73-78页 |
| 3.2 Cousin Lymon: Detainment in the Imaginary Order | 第78-83页 |
| 3.3 Marvin Macy: Degradation as Schizophrenic Character | 第83-90页 |
| Conclusion | 第90-94页 |
| Bibliography | 第94-100页 |
| Acknowledgements | 第100-102页 |
