| Synopsis | 第1-6页 |
| 中文摘要 | 第6-9页 |
| Introduction | 第9-12页 |
| Chapter One Defining Literary Terms | 第12-20页 |
| ·Realism and Its Representation Methods | 第12-13页 |
| ·Postmodernism and Its Narrative Strategies | 第13-18页 |
| ·The Story of The Ghost Writer | 第18-20页 |
| Chapter Two The Embodiment of Realism in The Ghost Writer | 第20-37页 |
| ·The Representation of Two Types of Writers | 第20-28页 |
| ·The Alienated Immaculate Ascetic | 第20-23页 |
| ·The Bound Unruly Prometheus | 第23-28页 |
| ·The Representation of Two Types of Arts | 第28-37页 |
| ·The Art of Confinement and Impersonalization | 第28-32页 |
| ·The Art of Exuberance and Impersonation | 第32-37页 |
| Chapter Three The Embodiment of Postmodern Narrative Strategies in The Ghost Writer | 第37-53页 |
| ·The Embodiment of Intertextuality in The Ghost Writer | 第37-41页 |
| ·The Embodiment of Decanonization in The Ghost Writer | 第41-46页 |
| ·The Embodiment of Metafiction in The Ghost Writer | 第46-53页 |
| Chapter Four The Aesthetic Effects of the Interfusion of Realism and Postmodernism | 第53-63页 |
| ·The Comic Effect of the Conflict between Realism and Postmodernism | 第53-57页 |
| ·The Magnifying Effect of the Combination of Realistic Representation and Intertextuality | 第57-63页 |
| Conclusion | 第63-66页 |
| Bibliography | 第66-70页 |
| Acknowledgements | 第70页 |
