| Acknowledgements | 第6-7页 |
| 摘要 | 第7-9页 |
| Abstract | 第9-10页 |
| Introduction | 第12-24页 |
| Chapter One The Fluid Black Identity: Situational Performativity of Racial Identity | 第24-35页 |
| 1.1 The Cold-Eyed Spectator: Performing the White Westerner in Africa | 第24-28页 |
| 1.2 The Negro Bus Boy Poet: Performing the Negro Artist in Europe | 第28-30页 |
| 1.3 The Inferior Negro:Stereotypical Identification in America | 第30-35页 |
| Chapter Two Passing for the White: Trap of Racial Performativity | 第35-45页 |
| 2.1 Passing: Rejecting the Black Appearance | 第36-38页 |
| 2.2 Passing:Rejecting Poverty and Aiming at Material Prosperity | 第38-41页 |
| 2.3 Washington Society: the Group Passing | 第41-45页 |
| Chapter Three Performing the New Negro Artist: Textual Performativity in theAutobiography | 第45-61页 |
| 3.1 Infusing the Black Music: Displaying the Black Cultural Identification | 第46-54页 |
| 3.2 Alluding to the Sea Literature:Exerting the White Literary Influence | 第54-57页 |
| 3.3 The New Negro Artist: a New Black Identity in the Harlem Renaissance | 第57-61页 |
| Conclusion | 第61-64页 |
| Works Cited | 第64-70页 |
