| Acknowledgements | 第4-5页 |
| Abstract | 第5-6页 |
| 摘要 | 第7-9页 |
| Introduction | 第9-16页 |
| Chapter One Geographical spaces Created by Memory Narrative | 第16-33页 |
| 1. Postwar Japan in A Pale View of Hills—the Loss of Homeland | 第17-22页 |
| 2. Postwar England in The Remains of the Day—the Collapse of Glory | 第22-27页 |
| 3. Camouflaged Dystopia in Never Let Me Go—the Vulnerability of Life | 第27-33页 |
| Chapter Two Textual Space Woven by Memorial Language | 第33-54页 |
| 1. Visual Space— Color Impressions | 第34-41页 |
| 2. Audio Space—Musicality | 第41-47页 |
| 3. Juxtaposed Space — Montage Film Cutting | 第47-54页 |
| Chapter Three Narrator’s Self-reconstruction Embodied in Space World | 第54-74页 |
| 1. Vicissitudes in Geographical Space—the Loss of Self | 第55-60页 |
| 2. Shifting of the Narrator’s Existing Space—the Reconstruction of Self | 第60-68页 |
| 3. Space Expectation Raised in the Denouement—Result of Self-reconstruction | 第68-74页 |
| Conclusion | 第74-76页 |
| Works Cited | 第76-79页 |
| Publication | 第79页 |
