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《醒来歌唱》与《推销员之死》中的犹太性研究

摘要第5-6页
Abstract第6页
Introduction第9-15页
Chapter One Yiddish-infused Language in the Two Plays第15-24页
    1.1 Yiddish Speech Patterns in the Two Plays第15-18页
        1.1.1 Yiddish Speech Patterns in Awake and Sing第15-17页
        1.1.2 Yiddish Speech Patterns in Death of a Salesman第17-18页
    1.2 Poetic Imagery in the Two Plays第18-24页
        1.2.1 Poetic Imagery in Awake and Sing第18-21页
        1.2.2 Poetic Imagery in Death of a Salesman第21-24页
Chapter Two Jewish Culture Motifs in the Two Plays第24-38页
    2.1 Strained Father-Son Relationship in the Two Plays第24-33页
        2.1.1 Cold Father-Son Relationship in Awake and Sing第24-29页
        2.1.2 Complex Father-Son Relationship in Death of a Salesman第29-33页
    2.2. Alienation Reflected in the Two Plays第33-38页
        2.2.1 Alienation Reflected by the Berger Family第33-36页
        2.2.2 Alienation Reflected by the Loman Family第36-38页
Chapter Three Jewish Images in the Two Plays第38-46页
    3.1 Typical Jewish Women第38-42页
        3.1.1 Bessie—the Matriarch with a Forthright Mind第38-40页
        3.1.2 Linda—the Housewife with a Gentle Personality第40-42页
    3.2 Typical Jewish Businessmen第42-46页
        3.2.1 Businessmen Images in Awake and Sing第43-44页
        3.2.2 Businessmen Images in Death of a Salesman第44-46页
Chapter Four Jewish Self-transformation for an Ideal Life第46-51页
    4.1 The Quest for Ways out of Sufferings in the Berger Family第46-48页
    4.2 The Quest for Ways out of Sufferings in the Loman Family第48-51页
Conclusion第51-52页
Works Cited第52-55页
Publication第55-56页
Acknowledgements第56页

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