首页--文学论文

乔治·艾略特小说中的合唱队

Acknowledgements第4-5页
Abstract第5页
摘要第6-8页
Chapter 1 Introduction第8-14页
Chapter 2 Chorus as an Ancient Aesthetic Technique第14-22页
    2.1 Chorus in Ancient Greece第14-19页
    2.2 The Inheritance of Chorus in Modern Novels第19-22页
Chapter 3 Chorus in George Eliot's Early Novels第22-34页
    3.1 Chorus Members in the Early Novels第22-23页
    3.2 Functions of Chorus in the Early Novels第23-34页
        3.2.1 Peaceful Countryside Portrayed by Chorus第23-26页
        3.2.2 Chorus-The Implied Author第26-29页
        3.2.3 Plot Moved in a Slight Way by Chorus第29-34页
Chapter 4 Chorus in George Eliot's Middle Novels第34-44页
    4.1 Chorus Members in the Middle Novels第34-35页
    4.2 Functions of Chorus in the Middle Novels第35-44页
        4.2.1 Turbulent Society Portrayed by Chorus第35-38页
        4.2.2 Chorus-The Figure Sculptor第38-41页
        4.2.3 Plot Moved in More Significant Way by Key Chorus第41-44页
Chapter 5 Chorus in George Eliot's Later Novels第44-58页
    5.1 Chorus Members in the later Novels第44-45页
    5.2 Functions of Chorus in the Later Novels第45-58页
        5.2.1 International Stage Portrayed by Chorus第45-48页
        5.2.2 Chorus-The Figure Sculptor and The Ideal Audience第48-52页
        5.2.3 Plot Moved in the Crucial Way by Chorus第52-58页
Chapter 6 Conclusion第58-62页
Works Cited第62-66页
发表论文和参加科研情况第66页

论文共66页,点击 下载论文
上一篇:创造进化论在萧伯纳戏剧中的表现
下一篇:概念与身份—材料存在的符号解读