| Acknowledgments | 第1-7页 |
| Abstract | 第7-9页 |
| 摘要 | 第9-11页 |
| CHAPTER ONE INTRODUCTION | 第11-16页 |
| CHAPTER TWO LITERATURE REVIEW | 第16-19页 |
| CHAPTER THREE THE FORMATION OF THE HYBRID CULTURALIDENTITIES IN SHANGHAI DANCING | 第19-37页 |
| ·The Hybridity of the Narrator | 第19-25页 |
| ·Alienation and displacement encountered by Antonio Castro | 第20-22页 |
| ·Antonio Castro's identity seeking and hybridity in the Third Space | 第22-25页 |
| ·Blending and Hybridity of Other Characters | 第25-37页 |
| ·Hybridity and blending relationships of characters | 第26-28页 |
| ·Hybrid identities of Antonio's grand-parents | 第28-31页 |
| ·Hybrid identity of Antonio's parents | 第31-37页 |
| CHAPTER FOUR A POSTMODERN EXPORATION OF THE HYBRIDITYIN STRATEGIES | 第37-47页 |
| ·Multilayer Narration | 第37-42页 |
| ·Blending time and space | 第38-40页 |
| ·Fragment narration | 第40-42页 |
| ·Manifestations of the Uncertain Themes | 第42-47页 |
| ·Different interpretations to the title of the novel | 第43-44页 |
| ·The theme of love and marriage | 第44-47页 |
| CHAPTER FIVE CONCLUSION | 第47-49页 |
| REFERENCES | 第49-51页 |
