| 摘要 | 第1-6页 |
| Abstract | 第6-8页 |
| CHAPTER ONE INTRODUCTION | 第8-16页 |
| ·Brief introduction of Sandra Cisneros’s life and works | 第8-10页 |
| ·The plots of The House on Mango Street and Caramelo | 第10-11页 |
| ·The literature review | 第11-14页 |
| ·The significance and purpose of this thesis | 第14-16页 |
| CHAPTER TWO POSTCOLONIAL FEMINISM AND SANDRA CISNEROS’S FEMINIST VIEW AS A CHICANA | 第16-22页 |
| ·Post-colonialism | 第16-17页 |
| ·Feminism | 第17-19页 |
| ·Sandra Cisneros’s Chicana feminism | 第19-22页 |
| CHATER THREE ANALYSIS OF THE MULTIPLE STATUSES OF “THE VOICELESS” | 第22-40页 |
| ·Mexican-American or Chicanas against Anglo-American identity | 第22-26页 |
| ·Mango Street and Caramelo: symbols of Mexican roots | 第22-25页 |
| ·In search of a ‘House’ for New Americans | 第25-26页 |
| ·Women or the femme macho against patriarchy or machismo | 第26-31页 |
| ·The image of the Virgin de Guadalupe | 第27-28页 |
| ·The image of La Malinche | 第28-31页 |
| ·The Remaking of Voice in postmodern context | 第31-40页 |
| ·Revising Myths | 第33-35页 |
| ·Recreating Style and Language | 第35-37页 |
| ·Looking for a place or a self | 第37-40页 |
| CHAPTER FOUR CONCLUSION | 第40-42页 |
| Works Cited | 第42-45页 |
| Acknowledgments | 第45页 |
