| ABSTRACT | 第1-7页 |
| 摘要 | 第7-8页 |
| ABBREVIATIONS | 第8-9页 |
| TABLE OF CONTENTS | 第9-11页 |
| ACKNOWLEDGEMENTS | 第11-12页 |
| CHAPTER I Introduction | 第12-22页 |
| ·Woolf’s Literary Career and Her Achievements | 第12-13页 |
| ·Study on Woolf in the West and in China | 第13-18页 |
| ·The Significance of My Study | 第18-22页 |
| CHPATER II Androgyny | 第22-42页 |
| ·The Origins in Many Fields | 第22-30页 |
| ·Mythic and Pilosophical Origins | 第22-24页 |
| ·Psychological Origin | 第24-26页 |
| ·Religious Androgyny | 第26-29页 |
| ·Literary Origin | 第29-30页 |
| ·The Formation of Woolf’s Feminist Androgynous Idea | 第30-42页 |
| ·Woolf—the Feminist Writer | 第31-33页 |
| ·The Forming of Woolf’s Androgynous Idea | 第33-38页 |
| ·Parents’Influence | 第33-35页 |
| ·The Influence of Bloomsbury Group | 第35-36页 |
| ·The Social Influence | 第36-38页 |
| ·The Content of Woolf’s Androgyny | 第38-42页 |
| ·Androgyny in Man-woman Relationship | 第39-40页 |
| ·Androgyny in Art Creation | 第40-42页 |
| CHAPTER III Study of Woolf’s Androgynous Theory through Text Analysis | 第42-81页 |
| ·Androgynous Idea in Man-Woman Relation | 第42-65页 |
| ·Brief Introduction to To the Lighthouse | 第42-44页 |
| ·Binary Opposition | 第44-53页 |
| ·Emotion versus Ration | 第45-48页 |
| ·Sympathy versus Self-centeredness | 第48-51页 |
| ·Nature versus Culture | 第51-53页 |
| ·Tentative ways of Solving | 第53-56页 |
| ·True Unity in Orlando: a Biography | 第56-65页 |
| ·A Brief Introduction to Orlando | 第56-57页 |
| ·Deconstruct the Binary Opposition | 第57-59页 |
| ·True Unity | 第59-65页 |
| ·Woolf’s Androgynous Idea in Art Creation | 第65-81页 |
| ·A Close Reading of A Room of One’s Own | 第65-67页 |
| ·Lily—the Androgynous Artist in To the Lighthouse | 第67-71页 |
| ·Orlando—the Androgynous Writer | 第71-81页 |
| CHAPTER IV Conclusion | 第81-84页 |
| Bibliography | 第84-87页 |
