| Ⅰ． Introduction | 第1-22页 |
| 1．1． Film as Representation | 第9-12页 |
| 1．2． Asian American Cinema | 第12-15页 |
| 1．3． Literature Review | 第15-17页 |
| 1．4． Thesis Statement | 第17-18页 |
| 1．5． Methodology | 第18-19页 |
| 1．6． Structure | 第19-22页 |
| Ⅱ． ”Diving into the Wreck”: the Representation of Chinese Americans in Mainstream Cinema | 第22-39页 |
| 2．1． The ”Yellow Peril” Discourse | 第22-26页 |
| 2．2． The Representation of Chinese Americans on Hollywood Screen | 第26-39页 |
| 2．2．1． Charlie Chan: the Benign Eunuch Figure | 第27-32页 |
| 2．2．2． Suzie Wong: the Exotic Lotus Blossom | 第32-39页 |
| Ⅲ． Puddle, the Missing Chinese and the Search for Cultural Identity | 第39-56页 |
| 3．1． Reclaiming Chinese American Male Identity | 第41-48页 |
| 3．2． The Search for the Chinese Female Self | 第48-56页 |
| Ⅳ． Apple Pie, Chinese Box and an Alternative Cultural Identity | 第56-81页 |
| 4．1． Situating the Politics of Identity | 第56-61页 |
| 4．2． Apple Pie, Chinese Box and Hybrid Identity | 第61-73页 |
| 4．3． An Eclectic Narrative Perspective | 第73-81页 |
| Ⅴ． Conclusion | 第81-86页 |
| Bibliography | 第86-90页 |
| Filmography | 第90页 |
