| Abbreviations | 第1-3页 |
| 摘要 | 第3-4页 |
| Abstract | 第4-6页 |
| AbstraCt | 第6-8页 |
| Contents | 第8-11页 |
| Chapter One Introduction | 第11-27页 |
| ·General Evaluation on Thomas Hardy | 第11-15页 |
| ·Thomas Hardy:a "Shakespeare" Among English Novelists | 第11-12页 |
| ·Thomas Hardy's Works | 第12-13页 |
| ·Plot Summary of The Return of the Native | 第13-15页 |
| ·Literature Review: International and Domestic Studies on Hardy and The Return of the Native | 第15-22页 |
| ·International Studies | 第15-19页 |
| ·Domestic Studies | 第19-22页 |
| ·Realistic Significance of the Thesis | 第22-27页 |
| ·Aim and Viewpoint of the Thesis | 第22-23页 |
| ·The Approaches and Theories Adopted | 第23-25页 |
| ·The Choice of Materials and the Organization of the Thesis | 第25-27页 |
| Chapter Two The Archetypal Confrontation Between Two Leading Roles in TheReturn of the Native | 第27-39页 |
| ·"A Man Coming from Heaven"—a Symbol for Christian Rationalism of Clym Yeobright | 第27-31页 |
| ·"A John the Baptist"—a Saint with High Thinking and Plain Living | 第27-29页 |
| ·"Wherefore Is Light Given to Him That Is in Misery?"—Clym's Experience ofSelf-abnegation and Forbearance | 第29-30页 |
| ·"Sermons on the Mount"—Clym's Return to Peace in Christ | 第30-31页 |
| ·"Goddess Temple not Found on Earth"—a Symbol for Pagan Spirit of Eustacia Vye | 第31-37页 |
| ·"Queen of Night"—a Pagan Goddess with Self-indulgent Desire and Selfishness | 第31-35页 |
| ·"Unwelcome Witch on the Unenclosed Wild"—Eustacia's Experience of Troubleand Failure | 第35-36页 |
| ·"Drown in River"—Elegy to Pagan Spirit | 第36-37页 |
| ·Source for Different Fates in Realism—Profound Confrontation Between Archetypes | 第37-39页 |
| Chapter Three Archetypes for Subordinate Roles in The Return of the Native andSome Other Novels | 第39-55页 |
| ·Archetypes for Subordinate Roles in The Return of the Native | 第39-43页 |
| ·Thomasin—a Virtuous and Self-bear Christian Female | 第39-40页 |
| ·Venn—Loyal and Altruistic Christian Symbol | 第40-41页 |
| ·Wildeve—Indulgent and Selfish Pagan Image | 第41-42页 |
| ·Mrs. Yeobright—Untimely Pagan Prophet | 第42-43页 |
| ·Archetypes in Some Other Novels of Character and Environment in Brief | 第43-55页 |
| ·Far from the Madding Crowd | 第43-46页 |
| ·The Mayor of Casterbridge | 第46-48页 |
| ·Tess of the d'Urbervilles | 第48-49页 |
| ·Jude the Obscure | 第49-55页 |
| Chapter Four Hardy's Religious Concept Revealed from Conflict and DestinyAttached to Archetypes | 第55-65页 |
| ·About Victorian Age—Wealth and Prosperity versus Vanity and Solitude | 第55-56页 |
| ·Collision Between Paganism and Christian Spirit—Deadly War Between Flesh and Spirit | 第56-57页 |
| ·Restraint of Excessive Paganism in Hardy's Main novels | 第57-58页 |
| ·Genuine Connotation of Christian Spirit in Hardy's Main Novels | 第58-63页 |
| ·Return and Reconstruct the Spiritual Wildness—Hardy's Perseverance in Christian Spirit | 第63-65页 |
| Chapter Five Conclusion | 第65-69页 |
| ·Hardy's Religious Consciousness Reflected from Archetypal Confrontation | 第65-67页 |
| ·Realistic Significance of Connotation of Christian Spirit | 第67-68页 |
| ·Further Exploration on This Subject | 第68-69页 |
| References | 第69-73页 |
| Appendix | 第73-75页 |
| 攻读学位期间承担的科研任务与主要成果 | 第75-77页 |
| Acknowledgments | 第77-79页 |
| 个人简历 | 第79页 |
