| Abstract | 第1-9页 |
| 摘要 | 第9-11页 |
| Acknowledgements | 第11-13页 |
| Introduction | 第13-21页 |
| Chapter One Influences from Oscar Wilde | 第21-31页 |
| ·Wilde's Ideology and His Representative Masterpiece | 第21-22页 |
| ·Superimposed Plot of Travesties on Wilde's Play | 第22-31页 |
| Chapter Two:Influences from George Bernard Shaw | 第31-36页 |
| ·George Bernard Shaw's Talent on Eloquence | 第31-33页 |
| ·Highly Logical but Less-serious Eloquence in Travesties | 第33-36页 |
| Chapter Three Influences from Samuel Beckett | 第36-44页 |
| ·Samuel Beckett and the Theatre of Absurd | 第36-39页 |
| ·Absurd Elements in Travesties | 第39-44页 |
| Chapter Four Influences from Bertolt Brecht | 第44-52页 |
| ·Brecht's Alienation Theory:Alienation Effect | 第44-46页 |
| ·Stoppard's Adaptation on Brecht's Alienation Techniques | 第46-52页 |
| Conclusions | 第52-55页 |
| References | 第55-57页 |
