| Acknowledgements | 第4-5页 |
| Abstract | 第5-6页 |
| 摘要 | 第7-10页 |
| Introduction | 第10-18页 |
| 0.1 A Brief Introduction of Ford Madox Ford and His Masterpiece The Good Soldier | 第10-11页 |
| 0.2 Literature Review | 第11-18页 |
| 0.2.1 Foreign Study on The Good Soldier | 第13-15页 |
| 0.2.2 Domestic Study on The Good Soldier | 第15-18页 |
| Chapter One An Introduction to the Space Theory | 第18-23页 |
| 1.1 The Concept and Influence of Space | 第18-19页 |
| 1.2 Lefebvre ’s and Mike Crang ’s Spatial Criticism Theory | 第19-23页 |
| Chapter Two Domestic Space in Ford’s The Good Soldier | 第23-31页 |
| 2.1 Branshaw Manor for Edward: A Space Representing Personal and National Identity | 第23-27页 |
| 2.2 Branshaw Manor for Dowell:A Space Representing Nothingness and Rootlessness | 第27-31页 |
| Chapter Three Other Space in Ford’s The Good Soldier | 第31-37页 |
| 3.1 Irish Catholic Leonora’s Other Space: A Clean Outbuilding Space for Prayer | 第31-34页 |
| 3.2 Religious Conflict between Protestant Community Space and Catholic Community Space in Victorian Age | 第34-37页 |
| Chapter Four The Space of Body | 第37-46页 |
| 4.1 Edward: A Traditional, Ancient Gentlemen Body | 第38-41页 |
| 4.2 Leonora : A Disciplined but Rebellious Body | 第41-43页 |
| 4.3 Florence: A British Noblewoman Body | 第43-46页 |
| Conclusion | 第46-48页 |
| Bibliography | 第48-51页 |
| Publications during MA Study | 第51页 |
