| ACKNOWLEDGEMENTS | 第9-10页 |
| ABSTRACT | 第10页 |
| 摘要 | 第11-14页 |
| CHAPTER Ⅰ INTRODUCTION | 第14-23页 |
| 1.1 Literature Review | 第14-21页 |
| 1.2 Structure of this Thesis | 第21-23页 |
| CHAPTER Ⅱ THEORETICAL FRAMEWORK | 第23-33页 |
| 2.1 Chinese Poetic Inscape Theory in Twenty-four Styles of Poetry | 第23-29页 |
| 2.1.1 The Philosophical Foundation of Chinese Poetic Inscape Theory | 第23-26页 |
| 2.1.2 The Poetic Inscape Theory in Twenty-four Styles of Poetry | 第26-29页 |
| 2.2 Imagism, Symbolism, and Inscape | 第29-33页 |
| CHAPTER Ⅲ THE FUSION OF IMAGINATION AND SCENES IN YEATS’POEMS | 第33-52页 |
| 3.1 Melting into Images | 第33-38页 |
| 3.1.1 The Images in Yeats’ Poems: from Sympathy to Symbolism | 第33-35页 |
| 3.1.2 The Unification of Image and Self | 第35-38页 |
| 3.2 Melting into Emotion | 第38-44页 |
| 3.2.1 The Emotion in Yeats’ Poems: a Pilgrim Soul | 第38-40页 |
| 3.2.2 The Fusion of Emotion and Images | 第40-44页 |
| 3.3 Melting into the Dreams | 第44-52页 |
| 3.3.1 The Dreams in Yeats’ Poems: from Emptiness to Eternity | 第44-47页 |
| 3.3.2 The Fusion of Emotion, Images, and Dreams | 第47-52页 |
| CHAPTER Ⅳ THE“IMAGES BEYOND IMAGES”IN YEATS’ POEMS | 第52-70页 |
| 4.1 The“Image”of Infinite Literary Space | 第52-56页 |
| 4.2 The“Image”of Potent Life Force | 第56-61页 |
| 4.2.1 The Gyre as an Image | 第56-59页 |
| 4.2.2 Yeats’ Gyre and Sikong Tu’s Water-wheel | 第59-61页 |
| 4.3 The“Image”of the Speaker Gathering into the Truth | 第61-70页 |
| 4.3.1 The“Image”of the Speaker Gathering into the Truth | 第62-66页 |
| 4.3.2“Sailing to Byzantium”and“Towards Remote Antiquity”: a Case Study ofthe Mutual Inscape Creation | 第66-70页 |
| CHAPTER Ⅴ CONCLUSION | 第70-72页 |
| WORKS CITED | 第72-75页 |
