| 摘要 | 第1页 |
| ABSTRACT | 第5-8页 |
| Chapter One Introduction | 第8-15页 |
| ·Features of the Screenplay Dialogue and the Double-level Structure | 第8-11页 |
| ·Reasons for Choosing a Pragmatic Way | 第11-15页 |
| ·The Problems of the Stylistic Approach to the Play Text | 第11-12页 |
| ·The Advantages of Pragmatic Approach to the Play Text | 第12-15页 |
| Chapter Two Background Theories | 第15-24页 |
| ·Speech Act Theory | 第15-19页 |
| ·Austin’s Conventional Speech Act and Its Three-level Mode | 第15-16页 |
| ·Searle’s Speech Act and Its Types of Illocutionary Act | 第16-19页 |
| ·The Correlative Theories of the Speech Act Theory | 第19-24页 |
| ·The Cooperative Principle and Maxims of CP | 第19-20页 |
| ·The Politeness Principle and Maxims of PP | 第20-21页 |
| ·The Relevance Theory | 第21-24页 |
| Chapter Three The Analysis of Speech Force in Screenplay Dialogues | 第24-36页 |
| ·Definition of Speech Force | 第24-25页 |
| ·Example Analysis of Speech Force from Different Pragmatic Theories | 第25-36页 |
| ·The Force in Screenplay Dialogues Based on Speech Act Theory | 第25-26页 |
| ·The Force in Screenplay Dialogues Based on Cooperational Principle | 第26-28页 |
| ·The Force in Screenplay Dialogues Based on Relevance Theory | 第28-30页 |
| ·The Force in Screenplay Dialogues Based on Politeness Principle | 第30-36页 |
| Chapter Four The Analysis of Speech Force on the Audience | 第36-51页 |
| ·Further Theoretical Exploration of the Perlocutionary Act on the Audience | 第36-40页 |
| ·Redefinition of the Perlocutionary Act | 第36-38页 |
| ·The Characteristics of the Perlocutionary Act in This Dissertation | 第38-40页 |
| ·Detailed Analysis of the Perlocutionary Act Caused by Speech Force | 第40-51页 |
| ·The Force of the Expository Dialogues | 第40-44页 |
| ·The Force of the Dialogues of Conventional Patterns | 第44-51页 |
| Chapter Five Conclusion | 第51-53页 |
| Bibliography | 第53-56页 |
| Acknowledgements | 第56-57页 |
| Appendix 1 | 第57-59页 |
| Appendix 2 | 第59-61页 |
| 在学期间发表的学术论文和参加科研情况 | 第61页 |
