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《逃离》的女性主义解读

Abstract第5-6页
摘要第7-11页
1. Introduction第11-14页
2. Literature Review第14-25页
    2.1 Studies of Alice Munro and Her Works第14-20页
        2.1.1 Studies of Alice Munro and Her Works at Home and Abroad第14-18页
        2.1.2 Studies of Runaway at Home and Abroad第18-20页
    2.2 Theoretical Background第20-25页
        2.2.1 Feminism第20-21页
        2.2.2 Virginia Woolf and Simone de Beauvoir第21-22页
        2.2.3 Female Consciousness第22-25页
3. Representations of Escapes in Runaway第25-36页
    3.1 Running away from Family第25-29页
        3.1.1 Carla: from a Life Chosen by Her Parents第25-26页
        3.1.2 Juliet and Penelope: from Maternal Love第26-28页
        3.1.3 Robin: from Her Sister第28-29页
    3.2 Running away from Marriage第29-36页
        3.2.1 Carla and Juliet: from Their Husbands第30-32页
        3.2.2 Grace: from a Romantic Relationship第32-34页
        3.2.3 Tessa: Failed to Run away from Her husband第34-36页
4. Reasons for Escapes第36-52页
    4.1 Successful Escapes: the Awakening of Female Consciousness第36-46页
        4.1.1 Carla and Juliet: Against Male Domination第36-40页
        4.1.2 Carla and Robin: Against Familial Constraints第40-42页
        4.1.3 Juliet and Grace: Against Social Constraints第42-46页
    4.2 Failed Escapes: the Repression of Female Consciousness第46-52页
        4.2.1 Tessa: Under Male Domination第46-48页
        4.2.2 Juliet and Penelope: Under Familial Constraints第48-52页
5. After Runaway第52-58页
    5.1 Penelope and Grace: Toward Self-exploration第52-53页
    5.2 Juliet and Robin: Toward Self-realization第53-55页
    5.3 Carla and Tessa: Toward Self-destruction第55-58页
6. Conclusion第58-62页
Bibliography第62-67页
附录第67-68页
Acknowledgements第68页

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