| ACKNOWLEDGEMENTS | 第5-6页 |
| ABSTRACT | 第6-7页 |
| 摘要 | 第8-11页 |
| CHAPTER ONE INTRODUCTION | 第11-24页 |
| 1.1 Philip Roth and His Historical Rewriting | 第11-15页 |
| 1.2 A Brief Review of Relevant Literature | 第15-17页 |
| 1.3 Theoretical Framework and Analysis Procedures | 第17-24页 |
| CHAPTER TWO REVISION OF THE TRAGIC HERO: ROTH’S PARODY OF OEDIPUS | 第24-35页 |
| 2.1 Roth’s Affinity with Greek Classical Literature | 第24-29页 |
| 2.2 Emphasis of Paradox in Rewriting Modern Oedipus | 第29-30页 |
| 2.3 Antithesis of Lost Consciousness in Rewriting Modern Oedipus | 第30-35页 |
| CHAPTER THREE SUBVERSION IN REPRESENTATION: ROTH’S PARODY OF AUTOBIOGRAPHY AND GRAND HISTORICAL NARRATIVE | 第35-51页 |
| 3.1 From Description to Narration: Construction and Transformation of Historical Writing | 第36-41页 |
| 3.2 Roth’s Parody of Autobiography: Problematization of Factuality and Authenticity | 第41-46页 |
| 3.3 Roth’s Parody of Traditional Historical Narrative: Problematization of Linearity and Totality | 第46-51页 |
| CHAPTER FOUR MIMESIS AND ALTERITY: ROTH’S SELF-PARODY AND SELF-CRITICISM | 第51-58页 |
| 4.1 Fiction on Fiction: Roth’s Parody of His Previous Works | 第51-56页 |
| 4.2 Reflection and Retrospection: Roth’s Parody of Real-Life Self | 第56-58页 |
| CHAPTER FIVE CONCLUSION | 第58-63页 |
| WORKS CITED | 第63-69页 |
| 在校期间发表论文清单 | 第69页 |
