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多丽丝·莱辛中后期小说叙事中的反乌托邦叙事

Acknowledgements第5-6页
Abstract第6-7页
摘要第8-12页
Chapter One Introduction第12-14页
    1.1 Research Background第12页
    1.2 Research Purposes第12-13页
    1.3 Research Significance第13页
    1.4 Structure of the Thesis第13-14页
Chapter Two Literature Review第14-22页
    2.1 Previous Researches on Doris Lessing and Her Works in China and Abroad第14-18页
        2.1.1 Previous Researches on Doris Lessing and Her Works Abroad第14-16页
        2.1.2 Previous Researches on Doris Lessing and Her Works in China第16-18页
    2.2 Previous Researches on Anti-Utopian Literature in China and Abroad第18-21页
        2.2.1 Previous Researches on Anti-Utopian Literature Abroad第18-19页
        2.2.2 Previous Researches on Anti-Utopian Literature in China第19-20页
        2.2.3 Previous Anti-Utopian Researches on Doris Lessing’s Novels第20-21页
    2.3 Comments on the Previous Researches第21-22页
Chapter Three Theoretical Framework第22-26页
    3.1 Overview of Utopia and Anti-Utopia第22-24页
    3.2 Overview of Classical Narratology and Postclassical Narratology第24-26页
Chapter Four Description of the Anti-Utopian World第26-45页
    4.1 Collapse of the State Utopia第26-33页
        4.1.1 Degradation of State Functions第28-30页
        4.1.2 Breach of the Social Contract第30-33页
    4.2 Collapse of the Religious Utopia第33-39页
        4.2.1 Believers’ Depravities and Denominations’ Conflicts第33-35页
        4.2.2 Disillusions of Religious Myths第35-39页
    4.3 Collapse of the Technological Utopia第39-45页
        4.3.1 Sarcasm of Science and Technology第40-42页
        4.3.2 Ecological Disasters Caused by Science and Technology第42-45页
Chapter Five Strategies of the Anti-Utopian Narrative第45-68页
    5.1 The Selections of Focalizations and the Embodied Ideologies第45-55页
        5.1.1 Zero Focalizations and the Ideology第47-52页
            5.1.1.1 Zero Focalizations with Anti-Utopian Colors第47-50页
            5.1.1.2 Strong Sense of Crisis under Zero Focalizations第50-52页
        5.1.2 Internal Focalization and the Ideology第52-55页
            5.1.2.1 Internal Focalization with Anti-Utopian Colors第52-54页
            5.1.2.2 Strong Sense of Introspection under Internal Focalization第54-55页
    5.2 Narrative Time-Space and the Anti-Utopian Effects第55-64页
        5.2.1 Narrative Time and the Anti-Utopian Effects第55-61页
            5.2.1.1 Anachronies and the Anti-Utopian Effects第55-58页
            5.2.1.2 Duration Changes and the Anti-Utopian Effects第58-60页
            5.2.1.3 Frequency Changes and the Anti-Utopian Effects第60-61页
        5.2.2 Narrative Space and the Anti-Utopian Effects第61-64页
            5.2.2.1 The Blend of Real Space and Imaginary Space第62-63页
            5.2.2.2 The Blend of Outer Space and Inner Space第63-64页
    5.3 Narrative Voices and the Anti-Utopian Feelings第64-68页
        5.3.1 Covert Narrator and the Anti-Utopian Feelings第65-66页
        5.3.2 Overt Narrator and the Anti-Utopian Feelings第66-68页
Chapter Six Cultural Mental Mechanism of Anti-Utopian Narrative第68-79页
    6.1 Immersion of the Socio-Cultural Context第69-72页
        6.1.1 Political and Economic Context第69-70页
        6.1.2 Ideological and Cultural Context第70-72页
    6.2 Restriction of Doris Lessing’s Cultural Identities第72-79页
        6.2.1 A Marginal Person in Social Life第72-74页
        6.2.2 An Exile in Geopolitics第74-76页
        6.2.3 An Intellectual with Mission Awareness第76-79页
Chapter Seven Conclusion第79-81页
References第81-85页
Academic Papers Published During Postgraduate Study第85页

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