| ACKNOWLEDGEMENTS | 第1-6页 |
| ABSTRACT | 第6-7页 |
| 摘要 | 第7-8页 |
| CONTENTS | 第8-10页 |
| Chapter One INTRODUCTION | 第10-14页 |
| ·A Brief Introduction to Virginia Woolf and To the Lighthouse | 第10-11页 |
| ·Significance of the Thesis | 第11-13页 |
| ·Organization of the Thesis | 第13-14页 |
| Chapter Two LITERATURE REVIEW | 第14-18页 |
| ·Previous Studies on Virginia Woolf and To the Lighthouse Abroad | 第14-16页 |
| ·Previous Studies on Virginia Woolf and To the Lighthouse in China | 第16-17页 |
| ·Summary | 第17-18页 |
| Chapter Three THEORETIC FRAMEWORK | 第18-24页 |
| ·Feminist Narratology | 第18-20页 |
| ·The Key Concepts of Feminist Narratology | 第20-24页 |
| ·Narrative Voice | 第20-21页 |
| ·Free Indirect Discourse | 第21-22页 |
| ·Spatiotemporal Narrative | 第22-24页 |
| Chapter Four A FEMINIST NARRATOLOGICAL ANALYSIS OF TO THE LIGHTHOUSE | 第24-50页 |
| ·Woolf’s Unique Feminist Thoughts | 第24-28页 |
| ·Social Status of Female in History | 第24-25页 |
| ·Tradition of Female Literature | 第25-26页 |
| ·Construction of Female Discourse | 第26-27页 |
| ·Concept of Androgyny | 第27-28页 |
| ·The Lack of Female Discourse | 第28-32页 |
| ·Mrs. Ramsay— the Ideal Woman | 第28-30页 |
| ·Lily Briscoe— an Androgynous Artist | 第30-32页 |
| ·The Construction of Female Discourse | 第32-50页 |
| ·From the Perspective of Narrative Voice | 第32-37页 |
| ·From the Perspective of Free Indirect Discourse | 第37-42页 |
| ·From the Perspective of Spatiotemporal Narrative | 第42-50页 |
| Chapter Five CONCLUSION | 第50-56页 |
| ·Major Findings | 第50-52页 |
| ·Implications | 第52-55页 |
| ·Limitations and Suggestions for Future Research | 第55-56页 |
| REFERENCES | 第56-60页 |
| PUBLISHED PAPERS | 第60页 |
