| Acknowledgements | 第1-5页 |
| 摘要 | 第5-6页 |
| Abstract | 第6-8页 |
| Chapter One Introduction | 第8-17页 |
| ·Ang Lee and his Achievement in Films | 第8-10页 |
| ·Ang Lee s Cultural Identity Formation | 第10-13页 |
| ·Review: The Study of Ang Lee and his films | 第13-15页 |
| ·The Subject and Viewpoint of the thesis | 第15-17页 |
| Chapter Two Cultural Conflicts in the Context of Globalization | 第17-35页 |
| ·Stuart Hall s Concept of Cultural Identity | 第17-23页 |
| ·The Definition of Cultural Identity | 第17-19页 |
| ·Stuart Hall s Theory of Cultural Identity | 第19-21页 |
| ·The Understanding of Cultural Identity and Diaspora | 第21-23页 |
| ·Cultural Conflicts when the East meets the West | 第23-35页 |
| ·Material Cultural Conflicts | 第24-26页 |
| ·Ideological Cultural Conflicts | 第26-35页 |
| Chapter Three Image and Alienation: Traditional Chinese Culture | 第35-45页 |
| ·Influence of Confucianism in Tradition Chinese Culture | 第35-36页 |
| ·The Image of Family | 第36-39页 |
| ·The Image of Children | 第39-41页 |
| ·Recognition and Alienation in Dilemma | 第41-45页 |
| Chapter Four Reconstruction: Recognition of American Culture | 第45-52页 |
| ·Marginal Man in American Society | 第45-48页 |
| ·The Old Generation Immigrants | 第45-47页 |
| ·The Young Generation Immigrants | 第47-48页 |
| ·Reconstruction of Cultural Identity | 第48-52页 |
| Conclusion | 第52-55页 |
| References | 第55-57页 |
