| Acknowledgements | 第1-8页 |
| 摘要 | 第8-10页 |
| Abstract(English) | 第10-12页 |
| Introduction | 第12-14页 |
| Chapter 1 Queer Cinema as a Taboo in the First Half of 20~(th) Century | 第14-26页 |
| ·Winner Takes All—Homosexuals as a Minority in American Society | 第14-18页 |
| ·Homosexuality in the World Context | 第14-15页 |
| ·Homosexuality in America | 第15-18页 |
| ·Homophobia as a Prevailing Attitude in the U.S.in the 20~(th) Century and Before | 第18-24页 |
| ·Definition and Clarifications of Homophobia | 第18-19页 |
| ·Sources and Expressions of Homophobia | 第19-24页 |
| ·Definition of "Queer Cinema" and Scarcity of Queer Movies in the Early 20~(th) Century | 第24-26页 |
| Chapter 2 Prosperity of Queer Cinema in Late 20~(th) Century America and Homophobic Elements | 第26-39页 |
| ·Social Context of Late Twentieth Century America—Homosexual Movements | 第26-27页 |
| ·Development of Queer Cinema in the Late 20th Century | 第27-30页 |
| ·Monsterisation of Homosexuals in Monster in the Closet | 第30-32页 |
| ·Homophobic Plots and Sympathy toward Homoexuals in Philadelphia | 第32-39页 |
| Chapter 3 Effects of Homophobia in American Queer Cinema | 第39-50页 |
| ·How mass media,especially movies,shape our world—Cone Effect and Other Theories | 第39-47页 |
| ·Identity:Modern People's Mark of Mass Media | 第40-42页 |
| ·Cinema Representation | 第42-45页 |
| ·Cone-Effect Theory | 第45-47页 |
| ·Spoiled Homosexual Image—Negative Representation | 第47-48页 |
| ·Public Sympathy—Positive Representation | 第48-50页 |
| Chapter 4 From Tolerance to Acceptance—A Long March | 第50-54页 |
| ·Go beyond Culture—Psychological Solutions | 第50-52页 |
| ·Legal and Media Protections | 第52-54页 |
| Conclusion | 第54-55页 |
| Bibliography | 第55-57页 |
| 指导教师评语 | 第57页 |
