| Acknowledgements | 第1-6页 |
| Abstract | 第6-8页 |
| 摘要 | 第8-11页 |
| Chapter Ⅰ Introduction | 第11-15页 |
| ·Research Background and Purpose | 第11-12页 |
| ·Literary Review | 第12-13页 |
| ·Organization of the Thesis | 第13-15页 |
| Chapter Ⅱ Ethnic Postcoloniality and Sherman Alexie's Two Literary Works | 第15-23页 |
| ·The Rise of American Indian Literature | 第15-16页 |
| ·Ethnic Postcoloniality in American Indian Literature | 第16-17页 |
| ·Biographical Information about Sherman Alexie | 第17-19页 |
| ·A Brief Introduction to Alexie's Two literary Works | 第19-23页 |
| Chapter Ⅲ Cultural Conflicts in The Lone Ranger and Tonto Fistfight in Heaven | 第23-35页 |
| ·Internal Colonization in America | 第23-24页 |
| ·Fragmented, Alienated "Bicultural" Lives of Characters in The Lone Ranger and TontoFistfight in Heaven | 第24-30页 |
| ·Thomas-Builds-the-Fire | 第25-26页 |
| ·Joseph Victor | 第26-28页 |
| ·Junior Polatkin | 第28-30页 |
| ·Dysfunctional Nature of Contemporary Reservation Life | 第30-35页 |
| ·Chaotics—the Reflection of Tragedy | 第30-32页 |
| ·Humor—the Power of Contrary | 第32-35页 |
| Chapter Ⅳ Hybridity and Culture Synergies in Reservation Blues | 第35-49页 |
| ·Postcolonial Views on "Hybridity" Theory | 第35-38页 |
| ·Hybridities-mixed Music Making the Hegemony Unsustainable | 第38-44页 |
| ·The Formation of Coyote Spring Band | 第39-40页 |
| ·Blues as Coyote Spring Band's Idiom | 第40-41页 |
| ·Blending of Oral Tradition into Music | 第41-44页 |
| ·The Successful Cooperation between Spokane Worldviews and Catholicism | 第44-45页 |
| ·The Ambiguous Failure of the First Audition | 第45-49页 |
| Chapter Ⅴ Conclusion | 第49-51页 |
| Bibliography | 第51-55页 |
| Appendix:Sherman Alexie's Chronology | 第55页 |
