| Acknowledgements | 第1-5页 |
| Abstract（English） | 第5-7页 |
| Abstract (Chinese) | 第7-10页 |
| Introduction | 第10-18页 |
| ·Genre Theory | 第10-14页 |
| ·Postwar British Campus Novels | 第14-16页 |
| ·Purpose and Significance of the Thesis | 第16-18页 |
| Chapter One Emergence of British Campus Novels | 第18-26页 |
| ·First Stage of the Campus Novel | 第18-20页 |
| ·Second Stage of the Campus Novel | 第20-22页 |
| ·Differences of the Two Stages | 第22-26页 |
| ·Differences in Setting | 第22-23页 |
| ·Differences in Protagonist | 第23-24页 |
| ·Differences in Satire | 第24-26页 |
| Chapter Two Establishment of the Genre of the Postwar British Campus Novel | 第26-45页 |
| ·Family Resemblance Theory | 第26-27页 |
| ·Similarities Between the Two Generations of the Postwar British Campus Novel | 第27-45页 |
| ·Similarities in Subject Matter | 第28-38页 |
| ·Similarities in Satire | 第38-45页 |
| Chapter Three Transformation Within the Genre of the Postwar British Campus Novel | 第45-71页 |
| ·Repetition Between the Two Generations of the Postwar British Campus Novel | 第45-57页 |
| ·Repetition in Realistic Writing | 第46-55页 |
| ·Four Conventions of the Genre of the postwar British campus novel | 第55-57页 |
| ·Differences Between the Two Generations of the Postwar British Campus Novel | 第57-71页 |
| ·Differences in Authorial Orientation | 第57-65页 |
| ·Differences in Satire | 第65-71页 |
| Chapter Four Development of the Genre of the Postwar British Campus Novel | 第71-82页 |
| ·Instability of the Genre | 第71-80页 |
| ·New Generic Norms in Lucky Jim | 第73-74页 |
| ·New Generic Norms in The History Man | 第74-77页 |
| ·New Generic Norms in Small World | 第77-80页 |
| ·Synchronic and Diachronic Descriptions of the Genre | 第80-82页 |
| Conclusion | 第82-84页 |
| Bibliography | 第84-90页 |
| Publications | 第90页 |
