| Acknowledgements | 第1-5页 |
| Abstract | 第5-6页 |
| 摘要 | 第6-8页 |
| Introduction | 第8-12页 |
| Chapter 1 Androgyny: The Ideal Human Existence | 第12-25页 |
| ·Woolf’s Feminist Approach to Androgyny | 第12-17页 |
| ·Androgyny: Amalgamation of Masculinity and Femininity | 第12-13页 |
| ·Transcend the Gender Dichotomy | 第13-17页 |
| ·Androgyny in Orlando: A Rhapsody of Transgender | 第17-19页 |
| ·Androgyny in A Room of One’s Own: Transcend Gender-Consciousness | 第19-23页 |
| ·The Essence of Woolf’s Androgyny | 第23-25页 |
| Chapter 2 Marrying Granite to Rainbow — Fictional Biography | 第25-36页 |
| ·The Exploration of “New Biography”and the Practice | 第25-31页 |
| ·An Androgynous Way to Achieve Truth | 第25-26页 |
| ·Orlando’s Innovation: Marriage of Granite and Rainbow | 第26-28页 |
| ·Lytton Strachey and Woolf’s Reflection on His “New Biography” | 第28-31页 |
| ·Woolf’s Approach to “New Biography” | 第31-36页 |
| ·Orlando: A Biography: An Experiment of Trans-Genre | 第31-33页 |
| ·The Union of Fact and Fiction — An Ideal Access to Truth | 第33-36页 |
| Chapter 3 Orlando’s Unconventional Time and Spatial Structure | 第36-45页 |
| ·Woolf’s Exploration and Innovation into the Modern Consciousness of Time and Space | 第36-39页 |
| ·An Androgynous Consciousness of Time and Space in Orlando | 第39-44页 |
| ·Time, Frozen in the Flow | 第39-41页 |
| ·Constantinople, a Charming Mix-Blooded Symbol | 第41-44页 |
| ·Androgynous Concept of Time and Space, the Harmonious State of Being | 第44-45页 |
| Conclusion | 第45-48页 |
| Works Cited | 第48-51页 |
