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反侦探小说和后现代叙事:理解《纽约三部曲》的寓言书写

内容摘要第5-7页
Abstract第7-8页
Chapter One Introduction第9-20页
    1.1 Paul Auster and The New York Trilogy第9-11页
    1.2 Literature Review第11-15页
    1.3 Paul Auster and His Writings on History第15-20页
Chapter Two Anti-detective Fiction and the Allegorical Writing in The New York Trilogy第20-29页
    2.1 From Detective Fiction to Anti-detective Fiction第20-23页
    2.2 Anti-detective Fiction and Its Characteristics第23-25页
    2.3 Anti-detective Fiction and the Postwar Allegory第25-29页
Chapter Three Postmodern Narration and the Allegorical Writing in The New York Trilogy第29-38页
    3.1 The Narrative Collage: Lost in City第29-31页
    3.2 The Labyrinth Structure:Lost of Identity第31-35页
    3.3 The Open Ending:Lost of Integrality第35-38页
Chapter Four Historical Critique and the Allegorical Writing in The New York Trilogy第38-46页
    4.1 History and Redemption第38-40页
    4.2 Redemption and Allegory第40-42页
    4.3 Allegory and Return第42-46页
Chapter Five Conclusion第46-48页
Bibliography第48-51页
Acknowledgements第51-52页
Appendix第52页

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