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从福柯的话语权解读《寡妇赞歌》中艾微的身份建构

摘要第3-4页
Abstract第4-5页
1 Introduction第7-15页
    1.1 Paule Marshall第7-9页
    1.2 Praisesong for the Widow第9-11页
    1.3 Literature Review第11-15页
2 The Discourse Power Theory第15-18页
3 The Discourse and Identity Construction of the African-Americans under White Hegemony第18-30页
    3.1 The Loss under the White Hegemony第18-21页
        3.1.1 Assimilation under the American Dream第18-19页
        3.1.2 Abandoning the African Tradition第19-21页
    3.2 Vocalizing of the African-American under the White Hegemony第21-25页
        3.2.1 An Introspection on a Cruise Ship第21-23页
        3.2.2 The Return of National Cultural Tradition 17第23-25页
    3.3 The Identity Construction of African-Americans under the White Hegemony第25-30页
        3.3.1 The Loss of African-American Identity第25-26页
        3.3.2 The Awakening of African-American Identity第26-28页
        3.3.3 The Reconstruction of African-American Identity第28-30页
4 Women's Discourse Power and Identity Construction under Patriarchy第30-42页
    4.1 The Loss of Women under Patriarchy第30-33页
        4.1.1 Social Repression of Women第30-32页
        4.1.2 Family Bondage to Women第32-33页
    4.2 The Voice of Women under Patriarchy第33-38页
        4.2.1 The Awakening of Avey's Feminine Consciousness第34-35页
        4.2.2 The Rebellion of Women第35-38页
    4.3 The Construction of Women's Identity under Patriarchy第38-42页
        4.3.1 The Loss of Female Identity第38-39页
        4.3.2 Reconstruction of Female Identity第39-42页
Conclusion第42-44页
Bibliography第44-46页
Publications during M.A. Study第46-47页
Acknowledgements第47-48页

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