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《伊坦·弗洛美》的空间叙事:对美国社会的忧郁隐喻

ACKNOWLEDGEMENTS第5-6页
ABSTRACT第6-7页
摘要第8-10页
CONTENTS第10-12页
CHAPTER ONE INTRODUCTION第12-22页
    1.1 New England and Edith Wharton·s Literary Creation第12-14页
    1.2 Literature Review and Theories of Fictional Spaces第14-18页
    1.3 Thesis Statement, Significance of the Research, and Analysis Procedures第18-22页
CHAPTER TWO THE FABRICATION OF "STARKFIELD": SPATIAL SELECTING AND REPRESENTING第22-36页
    2.1 RuralArea of New England Backdropping "Starkfield": Geographical Space and Cultural Tradition第22-25页
    2.2 Spatial Selecting and Representing: the Irreplaceability and Features of Spaces in "Starkfield"第25-32页
    2.3 Constructing the Time-space Relationship: Slackened Time and Overwhelming Space第32-36页
CHAPTER THREE IMPRISONED SPIRITS IN "STARKFIELD": PEOPLE AGAINST SPACEμ AS NARRATIVE POWER第36-54页
    3.1 The Narrator in "Starkfield": Life and People through His Haunted Vision第36-39页
    3.2 Characters in "Starkfield": Story Goes with People Trapped and Struggling in spaces第39-54页
        3.2.1 Ethan and Mattie on the Road第40-45页
        3.2.2 Ethan, Mattie, and Zeena in the House第45-48页
        3.2.3 Zeena and Mattie at the Threshold第48-54页
CHAPTER FOUR THE ALLUSION OF "STARKFIELD": THEMATIC SIGNIFICANCE OF THE PROVINCIAL TOWNμ第54-66页
    4.1 ATypical Bakhtinian Provincial Townμ: the Significant Chronotope of "Starkfield"第55-60页
    4.2 Moral and Aesthetic Implication of the Chronotope of "Starkfield"第60-66页
CHAPTER FIVE CONCLUSION第66-69页
WORKS CITED第69-71页

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