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《指匠情挑》中的身份重建对父权制的反抗

ACKNOWLEDGEMENTS第5-6页
ABSTRACT第6页
摘要第7-10页
CHAPTER ONE INTRODUCTION第10-18页
    1.1 Sarah Waters and Fingersmith第10-12页
    1.2 Literature Review第12-14页
        1.2.1 StudiesAbroad第12-13页
        1.2.2 Studies in China第13-14页
    1.3 Theoretical Frame Work第14-16页
    1.4 Thesis Structure第16-18页
CHAPTER TWO MALE SUPREMACY IN FINHERSMITH第18-30页
    2.1 Victorian Women: TheAngels in the House第18-22页
        2.1.1 Queen Victoria as a Role Model for Women第18-19页
        2.1.2 Women’s Identities as Wife and Mother第19-22页
    2.2 Male Supremacy in Fingersmith第22-30页
        2.2.1 Christopher Lily: Ruler of Briar第22-24页
        2.2.2 Charles Rivers: the Key in the Scheme第24-26页
        2.2.3 The Consent of Society on Male Supremacy第26-30页
CHAPTER THREE THE FAILED REBELLION OF REPRESSED MOTHER AND ITS INFLUENCE第30-38页
    3.1 The Rebellion of Repressed Mother第30-33页
        3.1.1 Marianne: Escape and Baby Swap第30-32页
        3.1.2 Mrs. Sucksby: The Master of the Scheme第32-33页
    3.2 Daughter of My “Mother”第33-38页
        3.2.1 Maud: “Inherited” Repression and Madness第34-36页
        3.2.2 Sue: Daughter of the “Criminal”第36-38页
CHAPTER FOUR REBELLIONS OF FEMALE PROTAGONISTS第38-48页
    4.1 Reconstruction of Identity through Lesbian Love第38-44页
        4.1.1 TheAwakening as a Sexual Being第38-40页
        4.1.2 The Construction and Acceptance of Lesbian Identity第40-44页
    4.2 Identities as Female Writer and Reader of Pornography第44-48页
CHAPTER FIVE CONCLUSION第48-50页
WORK CITED第50-52页

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