ACKNOWLEDGEMENTS | 第5-6页 |
ABSTRACT | 第6页 |
摘要 | 第7-10页 |
CHAPTER ONE INTRODUCTION | 第10-18页 |
1.1 Sarah Waters and Fingersmith | 第10-12页 |
1.2 Literature Review | 第12-14页 |
1.2.1 StudiesAbroad | 第12-13页 |
1.2.2 Studies in China | 第13-14页 |
1.3 Theoretical Frame Work | 第14-16页 |
1.4 Thesis Structure | 第16-18页 |
CHAPTER TWO MALE SUPREMACY IN FINHERSMITH | 第18-30页 |
2.1 Victorian Women: TheAngels in the House | 第18-22页 |
2.1.1 Queen Victoria as a Role Model for Women | 第18-19页 |
2.1.2 Women’s Identities as Wife and Mother | 第19-22页 |
2.2 Male Supremacy in Fingersmith | 第22-30页 |
2.2.1 Christopher Lily: Ruler of Briar | 第22-24页 |
2.2.2 Charles Rivers: the Key in the Scheme | 第24-26页 |
2.2.3 The Consent of Society on Male Supremacy | 第26-30页 |
CHAPTER THREE THE FAILED REBELLION OF REPRESSED MOTHER AND ITS INFLUENCE | 第30-38页 |
3.1 The Rebellion of Repressed Mother | 第30-33页 |
3.1.1 Marianne: Escape and Baby Swap | 第30-32页 |
3.1.2 Mrs. Sucksby: The Master of the Scheme | 第32-33页 |
3.2 Daughter of My “Mother” | 第33-38页 |
3.2.1 Maud: “Inherited” Repression and Madness | 第34-36页 |
3.2.2 Sue: Daughter of the “Criminal” | 第36-38页 |
CHAPTER FOUR REBELLIONS OF FEMALE PROTAGONISTS | 第38-48页 |
4.1 Reconstruction of Identity through Lesbian Love | 第38-44页 |
4.1.1 TheAwakening as a Sexual Being | 第38-40页 |
4.1.2 The Construction and Acceptance of Lesbian Identity | 第40-44页 |
4.2 Identities as Female Writer and Reader of Pornography | 第44-48页 |
CHAPTER FIVE CONCLUSION | 第48-50页 |
WORK CITED | 第50-52页 |