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超越时空的求索——对拜厄特多层次文本《占有》的原型解读

Introduction第4-7页
Chapter One The Primitive Love Myths in Possession第7-25页
    1.1 A Brief Introduction to the Plot of Possession and the Theory of Archetypal Criticism第7-12页
    1.2 A Panorama of the Mythical Stories in Possession第12-14页
    1.3 The Story of Proserpina第14-17页
    1.4 The Story of Melusina第17-22页
    1.5 The Story of Psyche第22-23页
    1.6 Similarities and Comparisons第23-25页
Chapter Two The Romantic Victorian Love Song in Possession第25-40页
    2.1 A General Introduction to the Nineteenth Century Plot of Possession第25-27页
    2.2 A Losing Rebel-The Victorian Poet Randolph Henry Ash第27-30页
    2.3 “I am my own riddle”-the Victorian Woman Artist Christabel LaMotte第30-40页
Chapter Three The Twentieth Century Artist-novel Plot in Possession第40-50页
    3.1 “Vanity Fair”-the Twentieth Century Academic Circle第40-45页
    3.2 “Paradise Regained” -Roland and Maud’s Modern Love Allegory第45-50页
Conclusion第50-53页
References第53-55页
Bibliography第55-58页
Abstract (Chinese)第58-62页
Abstract (English)第62页

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