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我知困兽为何哭泣-《第五个孩子》和《浮世畸零人》的叙事策略分析

Acknowledgements第4-6页
Abstract第6-8页
摘要第9-11页
Chapter one Introduction第11-23页
    1.1 Doris Lessing, The Fifth Child and Ben, in the World第11-14页
    1.2 Literature Review第14-18页
        1.2.1 Literature Review of The Fifth Child and Ben, in the World Abroad第14-16页
        1.2.2 Literature Review of The Fifth Child and Ben, in the World in China第16-18页
    1.3 Theoretical Framework第18-21页
    1.4 Focus of the Thesis第21-23页
Chapter Two Narrative Voice第23-36页
    2.1 Authorial Voice第23-29页
        2.1.1 Narrators In The Fifth Child and Ben, in the World第25-27页
        2.1.2 Reliable and Unreliable Narrator第27-29页
    2.2 Personal Voice第29-36页
        2.2.1 Ben’s Parents’ Voices in The Fifth Child第29-33页
        2.2.2 Ben’s Voice in The Fifth Child and in Ben, in the World第33-36页
Chapter Three Focalization and Narration第36-46页
    3.1 Zero Focalization第37-41页
    3.2 Internal Focalization第41-44页
        3.2.1 Harriet’s Focalization in The Fifth Child第41-42页
        3.2.2 Ben’s Focalization in Ben, in the World第42-44页
    3.3 The Significance of the Shift of Focalization第44-46页
Chapter Four The Narrative Structure第46-58页
    4.1 The Narrative Space第46-51页
        4.1.1 In The Fifth Child第46-50页
        4.1.2 In Ben, in the World第50-51页
    4.2 The Narrative Time第51-58页
        4.2.1 The Chronological Time and Narrative Time in The Fifth Child第52-55页
        4.2.2 The Chronological Time and Narrative Time in Ben, in the World第55-58页
Chapter Five Conclusion第58-61页
References第61-64页
Appendix第64页

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