| ACKNOWLEDGEMENTS | 第1-5页 |
| 内容摘要 | 第5-7页 |
| Abstract | 第7-11页 |
| 1. Introduction | 第11-19页 |
| ·Introduction of Gone with the Wind | 第11-14页 |
| ·Literature review | 第14-17页 |
| ·The framework of the dissertation | 第17-19页 |
| 2. Feminist Narratology | 第19-26页 |
| ·An overview of the classical narratology | 第19-20页 |
| ·Feminist narratology | 第20-26页 |
| ·Feminist narratology and its development | 第21-23页 |
| ·Contrast of feminist narratology and classical narratology | 第23-26页 |
| 3. Historical context: Females' History during the Civil War | 第26-36页 |
| ·Southern white fair ladies' inferiority to white males | 第28-32页 |
| ·Women's status vs. males' in American south | 第28-30页 |
| ·Women's status before and after the War | 第30-32页 |
| ·Margaret Mitchell with her "outmoded" feminist ideas | 第32-36页 |
| 4. Shift of Discourse: Men in the War vs. Women out of War | 第36-48页 |
| ·Men's discourses with power | 第37-44页 |
| ·Male characters' DD on the war | 第39-42页 |
| ·Males' FID to expose their contempt to females | 第42-44页 |
| ·Women's discourses with no authority | 第44-48页 |
| ·FID: witness for women as standers-by | 第45-46页 |
| ·Women's DD with "me-too" attitudes | 第46-48页 |
| 5. Narrator and Heroine's "Struggling" for Authority | 第48-61页 |
| ·Public text: authorial voice | 第49-56页 |
| ·Voice of an omniscient third-person narrator | 第50-53页 |
| ·The uncertain narrator | 第53-54页 |
| ·The generalized and judgmental narrator | 第54-56页 |
| ·Subtext: females' struggling and upgrowth | 第56-61页 |
| ·Enmity for the heroine from communal voice | 第57-59页 |
| ·Narrator's self-silencing vs. heroine's personal authority | 第59-61页 |
| 6. Conclusion | 第61-63页 |
| Bibliography | 第63-65页 |
