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后殖民主义视域下《杰克·迈格斯》和《凯利帮真史》的对比研究

Acknowledgements第4-5页
Abstract第5-6页
摘要第7-9页
Chapter One Introduction第9-18页
    1.1 General Introduction of Peter Carey第9-11页
    1.2 Literature Review第11-16页
        1.2.1 Research about Jack Maggs第12-14页
        1.2.2 Research about True History of the Kelly Gang第14-16页
    1.3 Significance and Structure of the Thesis第16-18页
Chapter Two Theoretical Foundation第18-23页
    2.1 An Overview of Postcolonialism第18-19页
    2.2 Postcolonialism in Australia第19-23页
Chapter Three Postcolonial Writing Characteristics in Jack Maggs and True History of the KellyGang第23-34页
    3.1 Appropriation in Jack Maggs& True History of the Kelly Gang第23-27页
        3.1.1 Appropriation in Jack Maggs第23-25页
        3.1.2 Appropriation in True History of the Kelly Gang第25-27页
    3.2 Hybrid Genres in Jack Maggs and True History of the Kelly Gang第27-30页
        3.2.1 Hybrid Genres in Jack Maggs第28-29页
        3.2.2 Hybrid Genres in True History of the Kelly Gang第29-30页
    3.3 Multiple Narrative Perspectives in Jack Maggs and True History of the Kelly Gang第30-34页
        3.3.1 Narrative Perspectives in Jack Maggs第31-32页
        3.3.2 Narrative Perspectives in True History of the Kelly Gang第32-34页
Chapter Four Postcolonial Themes of Jack Maggs and True History of the Kelly Gang第34-48页
    4.1 The Deconstruction of Old Identity in Jack Maggs and True History of the Kelly Gang第34-41页
        4.1.1 The Deconstruction of English Identity of Jack Maggs第35-38页
        4.1.2 The Deconstruction of Irish Identity of Ned Kelly第38-41页
    4.2 The Construction of New Identity of Jack Maggs and Ned Kelly第41-48页
        4.2.1 Mateship第41-43页
        4.2.2 Egalitarianism第43-45页
        4.2.3 Anti-authoritarianism第45-48页
Chapter Five Limitations of Postcolonial Writing in Jack Maggs and True History of the KellyGang第48-52页
    5.1 The Minorities as the Marginalized Other第48-50页
    5.2 Causes for Peter Carey's Postcolonial Writing limitations第50-52页
Chapter Six Conclusion第52-54页
Works Cited第54-56页

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