| Acknowledgements | 第1-6页 |
| Abstract | 第6-7页 |
| 摘要 | 第7-9页 |
| Chapter 1 Introduction to Crossings | 第9-15页 |
| ·About the Author | 第9页 |
| ·Amerian Society in the 1960s | 第9-10页 |
| ·About the Novel | 第10-12页 |
| ·Current Research on Crossings | 第12-13页 |
| ·The Paper’s Framework | 第13-15页 |
| Chapter 2 The Spatial Journey of Jane Fourth | 第15-33页 |
| ·Henri Lefebvre’s Life and His The Production of Space | 第15-17页 |
| ·Henri Lefebvre's Major Theories in The Production of Space | 第17-20页 |
| ·Conceptual Triad | 第17-18页 |
| ·Absolute Space V.s Abstract Space | 第18-19页 |
| ·Henri Lefebvre's Extending Marxist Theory | 第19-20页 |
| ·About Edward William Soja and His Theory | 第20-22页 |
| ·Spatial Analysis of Crossings | 第22-33页 |
| ·Jane Fourth’s First Space Journey in Crossings | 第23-25页 |
| ·Jane Fourth’s Second Space Journey in Crossings | 第25-30页 |
| ·Jane Fourth’s Third Space Journey in Crossings | 第30-33页 |
| Chapter 3 Writing Techniques in Creating Three-Dimensional Spaces in Crossings | 第33-41页 |
| ·Free Association | 第33-36页 |
| ·Non-Continuous Free Association and Continuous Free Association | 第33-34页 |
| ·Jane Fourth’s Free Association | 第34-36页 |
| ·Shift of Narrative Point of View | 第36-38页 |
| ·Third-Person Omniscient Point of View | 第36页 |
| ·Alternating Point of View | 第36-38页 |
| ·The Use of Omission of Verbs, Linking Literation and Movie Techniques | 第38-41页 |
| ·Omission of Verbs and Conjunctions | 第38-39页 |
| ·Linking Literation | 第39页 |
| ·Use of Movie Techniques | 第39-41页 |
| Chapter 4 Jane Fourth’s Cultural Identity and Identification Through Different Spaces | 第41-51页 |
| ·Cultural Identity and Identification | 第41-43页 |
| ·Main Characters' Cultural Identification Journey | 第43-44页 |
| ·Cultural Identity in Crossings | 第44-51页 |
| ·Dyadya and Ngmah’s Cultural Identification | 第45-47页 |
| ·Jane Fourth’s Cultural Identification | 第47-51页 |
| Chapter 5 Conclusion | 第51-54页 |
| Bibliography | 第54-56页 |
| 发表论文和科研情况说明 | 第56-57页 |
