| Abstract | 第1-6页 |
| 摘要 | 第6-9页 |
| Introduction | 第9-12页 |
| ·The Relations Between Narratology and Stylistics | 第9页 |
| ·An Introduction to A Portrait of the Artist as a Young Man | 第9-11页 |
| ·The Outline of the Study | 第11-12页 |
| Chapter One Analysis of Point of View | 第12-49页 |
| ·Background | 第12页 |
| ·Aspects of Point of View | 第12-34页 |
| ·Definitions of Point of View | 第13-20页 |
| ·Point of View vs Focalization | 第20-22页 |
| ·Significance and Functions of Point of View | 第22-24页 |
| ·Categorization of Point of View | 第24-29页 |
| ·Point of View, Voice and Distance | 第29-34页 |
| ·Employment of Point of View in A Portrait of the Artist as a Young Man | 第34-49页 |
| Chapter Two Analysis of Modes of Speech | 第49-86页 |
| ·Categorization of Modes of Speech | 第50-56页 |
| ·Characteristics and Functions of Modes of Speech | 第56-71页 |
| ·Narrative Report of Speech Acts | 第56-57页 |
| ·Direct Speech and Indirect Speech | 第57-61页 |
| ·Free Indirect Speech | 第61-66页 |
| ·Free Direct Speech | 第66-69页 |
| ·Free Indirect Speech vs Free Direct Speech | 第69-71页 |
| ·Representation of Modes of Speech in A Portrait of the Artist as a Young Man | 第71-86页 |
| Chapter Three Analysis of Mind Style | 第86-108页 |
| ·Definition and Categories of Mind Style | 第86-95页 |
| ·Stephen’s Mind Style in A Portrait of the Artist as a Young Man | 第95-108页 |
| Chapter Four Interaction of Mind Style with Point of View and Modes of Speech in A Portrait of the Artist as a Young Man | 第108-115页 |
| Conclusion | 第115-118页 |
| Bibliography | 第118-124页 |
| Acknowledgements | 第124-125页 |
| Resumé | 第125页 |
