| Acknowledgements | 第1-7页 |
| Abstract | 第7-9页 |
| 内容摘要 | 第9-11页 |
| Chapter 1 Introduction | 第11-19页 |
| ·A Brief Biography of Elizabeth Bishop | 第11-13页 |
| ·Bishop's Painting Complex | 第13-15页 |
| ·Critical Reception of Bishop's Poetry | 第15-19页 |
| Chapter 2 Literature Review | 第19-33页 |
| ·International Critics and Commentaries in the Past a Few Decades | 第19-23页 |
| ·The New Trend of Bishop's Study in Recent Years | 第23-30页 |
| ·Bishop Study in China and the Significances of My Study | 第30-33页 |
| Chapter 3 Theoretical basis and Methodology | 第33-40页 |
| ·Spatial Form in Modern Literature | 第33-34页 |
| ·Two Main Streams of Modernism:Cubism and Surrealism | 第34-37页 |
| ·Cubism and Surrealism in Bishop's Poetry | 第37-40页 |
| Chapter 4 Cubism in Elizabeth Bishop's Poetry | 第40-62页 |
| ·Fragmentation and Synthesizing | 第40-46页 |
| ·Multiple Perspectives | 第46-56页 |
| ·Juxtaposition of Opposites | 第56-62页 |
| Chapter 5 Surrealism in Elizabeth Bishop's Poetry | 第62-86页 |
| ·Frottage | 第63-70页 |
| ·Innocent Visual Way and Infantile Vision | 第70-78页 |
| ·Bizarre Juxtaposition and Ingenious Association | 第78-86页 |
| Chapter 6 Conclusion | 第86-88页 |
| Bibliography | 第88-95页 |
| Appendix | 第95页 |
