| 摘要 | 第5-6页 |
| Abstract | 第6页 |
| Contents | 第7-8页 |
| Abbreviations | 第8-9页 |
| Introduction | 第9-19页 |
| 0.1 Gary Snyder and His Collections of The Back Country and Danger on Peaks | 第9-11页 |
| 0.2 Literature Review | 第11-16页 |
| 0.3 Features of Haiku | 第16-17页 |
| 0.4 The Outline of the Thesis | 第17-19页 |
| Chapter 1 Influential Factors in the Shaping of Gary Snyder’s Haiku Thought | 第19-27页 |
| 1.1 Close Relationship withAmerican Wilderness | 第19-22页 |
| 1.2 Intimate Relation to Japanese Culture | 第22-25页 |
| 1.3 SelectiveAcceptance of R. H. Blyth’s Haiku | 第25-27页 |
| Chapter 2 Representation of Haiku in The Back Country and Danger on Peaks | 第27-39页 |
| 2.1 Haiku-like Short Verses in Three-lined Form | 第27-32页 |
| 2.2 Haiku-like Stanzas in Three-lined Form Contained in Long Poems | 第32-34页 |
| 2.3 Long Poems Developed From Original Haiku | 第34-39页 |
| Chapter 3 Adaptation of Haiku’s Poetic Crafts in The Back Country and Danger on Peaks | 第39-45页 |
| 3.1 Poetic Ellipsis for Objectivity | 第39-42页 |
| 3.2 White Space for Direct Treatment | 第42-45页 |
| Chapter 4 Internalization of Haiku in The Back Country and Danger on Peaks | 第45-56页 |
| 4.1 Attitude Toward the Relationship Between Human and Wilderness | 第45-48页 |
| 4.2 Dissatisfaction with Existing Values and Literary Norms inAmerica | 第48-51页 |
| 4.3 Exploration of Haiku Lifestyle | 第51-56页 |
| Conclusion | 第56-58页 |
| References | 第58-63页 |
| Appendix B 详细中文摘要 | 第63-66页 |
| Acknowledgements | 第66页 |
