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恶之花:《荒原》中城市生活的转换力量

ABSTRACT第6-7页
摘要第8-12页
INTRODUCTION第12-18页
CHAPTER ONE FOUNDATION OF T.S.ELIOT'S URBAN WRITING第18-25页
    1.1 Influence of Urban Experiences第19-22页
    1.2 Influence of Charles Baudelaire第22-25页
CHAPTER TWO THE FIANEUR:TAKING A PANORAMIC VIEW OF THE CITY第25-38页
    2.1 Theory of the Flaneur第25-28页
    2.2 Flaneur as an Outsider of the Urban Life第28-34页
        2.2.1 Observation of the Urban Landscape第28-31页
        2.2.2 Observation of the Urban Life第31-34页
    2.3 Flaneur as an Insider of the Urban Life第34-38页
        2.3.1 Pursuit of Subjectivity第34-36页
        2.3.2 Construction of an Imaginary City第36-38页
CHAPTER THREE ANDERS-STREBEN:READING THE CITY THROUGH SENSORY EXPERIENCES第38-46页
    3.1 Theory of Anders-streben第38-40页
    3.2 The Effect of Cinematic Montage through the Wandering of the Flaneur第40-41页
    3.3 The Effect of Musicality of the Urban Life through Poetic Language第41-44页
    3.4 Visual Effects of the Urban Life through Visual Images and Color Words第44-46页
CHAPTER FOUR EKPHRASIS:MIRRORING THE CITY THROUGH THE WORKS OF ART第46-57页
    4.1 Theory of Ekphrasis第46-48页
    4.2 Wagnerian Opera as a Sharp Contrast to Modern Love第48-49页
    4.3 Ragtime music Echoing the Sound and Fury of Modem City第49-52页
    4.4 Paintings Manifesting the Complexity of Modern Life第52-57页
CONCLUSION第57-60页
WORKS CITED第60-63页
中文参考文献第63-64页
ACKNOWLEDGEMENTS第64-65页
PUBLICATIONS第65页

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