| Acknowledgements | 第6-7页 |
| Abstract | 第7-8页 |
| 摘要 | 第9-12页 |
| Chapter One INTRODUCTION | 第12-15页 |
| 1.1 N. Scott Momaday and House Made of Dawn | 第12-13页 |
| 1.2 The Structure of Thesis | 第13-15页 |
| Chapter Two LITERATURE REVIEW | 第15-20页 |
| 2.1 Theory of hybridity and Third Space of Bhabha | 第15-17页 |
| 2.2 The Study of House Made of Dawn Both Home and Abroad | 第17-20页 |
| Chapter Three MANIFESTATIONS OF CULTURAL HEGEMONY | 第20-29页 |
| 3.1 Plunder of Land | 第20-23页 |
| 3.2 Biased Prejudice Against Natives | 第23-25页 |
| 3.3 Cultural Assimilation | 第25-29页 |
| Chapter Four MANIFESTATIONS OF CULTURAL IDENTITY AMBIVALENCE | 第29-40页 |
| 4.1 Disillusionment in Reservation | 第29-32页 |
| 4.2 Misery in Los Angeles | 第32-37页 |
| 4.3 Articulation barriers | 第37-40页 |
| Chapter Five PURSUIT OF HYBRID IDENTITY IN THIRD SPACE | 第40-59页 |
| 5.1 Pursuit of Hybrid Identity of Indians | 第40-48页 |
| 5.1.1 Hybridity by Benally | 第40-46页 |
| 5.1.2 Hybridity by Milly | 第46-48页 |
| 5.2 Mimicking Indian Culture by White Americans | 第48-52页 |
| 5.2.1 Mimicking by Angela | 第48-51页 |
| 5.2.2 Mimicking by Father Olguin | 第51-52页 |
| 5.3 Searching for the Third Space | 第52-59页 |
| 5.3.1 The Frustrations of Searching Third Space | 第53-55页 |
| 5.3.2 The Expectation for Third Space | 第55-59页 |
| Chapter Six CONCLUSION | 第59-62页 |
| REFERENCES | 第62-63页 |
