| Acknowledgments | 第1-5页 |
| Abstract | 第5-7页 |
| 摘要 | 第7-11页 |
| Introduction | 第11-23页 |
| ·Brief Introduction to Twelfth Night | 第11-13页 |
| ·Brief Introduction to New Historicism | 第13-17页 |
| ·Literature Review | 第17-21页 |
| ·Significance of the Thesis | 第21-23页 |
| Chapter One Cultural Energy | 第23-37页 |
| ·The Fashion of Cross-Dressing | 第23-29页 |
| ·Anecdotes about Twelfth Night | 第24-26页 |
| ·Cross-dressing in Society | 第26-29页 |
| ·Love triangle in Twelfth Night | 第29-32页 |
| ·Viola with Double Identities in Love | 第29-30页 |
| ·Orsino as a Recreance in Love | 第30页 |
| ·Olivia as a Brave Lady in Love | 第30-31页 |
| ·Sebastian as a Lucky Guy in Love | 第31-32页 |
| ·Cross-dressing as a Cultural Energy | 第32-37页 |
| ·Cross-dressing for Love | 第33-34页 |
| ·Cross-dressing for Freedom | 第34-37页 |
| Chapter Two Economic Energy | 第37-47页 |
| ·Shakespeare’s Money View | 第37-39页 |
| ·Money View in Twelfth Night | 第39-45页 |
| ·Olivia as a powerful Queen | 第39-41页 |
| ·Andrew as a Declining Aristocrat | 第41-43页 |
| ·Antonio as a Friendly Adventurer | 第43-44页 |
| ·Malvolio as a Foolish Housekeeper | 第44-45页 |
| ·Economic Energy in Twelfth Night | 第45-47页 |
| Chapter Three Political Energy | 第47-59页 |
| ·Shakespeare in Power | 第47-48页 |
| ·Power in the Play | 第48-50页 |
| ·The Hidden Queen Image in Twelfth Night | 第50-56页 |
| ·A Strong Foreign Affair Politician | 第51-54页 |
| ·A Powerful Political Ruler | 第54-56页 |
| ·Admiring of Queen Elizabeth I | 第56-59页 |
| Conclusion | 第59-63页 |
| Bibliography | 第63-67页 |
