| 摘要 | 第1-6页 |
| Abstract | 第6-8页 |
| Introduction | 第8-12页 |
| Chapter One Man's Superiority in Intertexts | 第12-25页 |
| ·Understanding Intertextuality | 第12-13页 |
| ·The Intertexts of The Characters | 第13-22页 |
| ·The Sinful and Lost Women | 第14-20页 |
| ·The Magnificent Men | 第20-22页 |
| ·Summary:Magnificent Men and Sinner Women | 第22-25页 |
| Chapter Two The Male-dominated Narrative Voice | 第25-36页 |
| ·Narrative Voice in Literary Text | 第25页 |
| ·Narrative Voices in The Waves | 第25-33页 |
| ·The Narrative Voice of No Gender in the Interludes | 第26页 |
| ·The Narrative Voices in the Monologues | 第26-33页 |
| ·The Self-debased Women | 第26-29页 |
| ·The Self-respected Men | 第29-31页 |
| ·The General Narrator:Man's Slave | 第31-33页 |
| ·Summary:All Man's Voice | 第33-36页 |
| Chapter Three The Space Mainly Constructed by Men in The Waves | 第36-45页 |
| ·Spatial Form in Fiction | 第36-37页 |
| ·The Malformed Spaces Constructed by the Two Unequal Genders | 第37-43页 |
| ·The Famous Writer Bernard and the Housewife Susan | 第38-39页 |
| ·The Well-known Scholar Neville and the Party Girl Jinny | 第39-40页 |
| ·The Successful Merchant Louis and the Ever Wandering Rhoda | 第40-42页 |
| ·The Central Figure Percival | 第42-43页 |
| ·Summary:A Malformed Orange | 第43-45页 |
| Conclusion | 第45-48页 |
| Notes | 第48-50页 |
| Bibliography | 第50-53页 |
| Acknowledgements | 第53页 |
