| Abstract | 第1-6页 |
| 摘要 | 第6-12页 |
| Introduction | 第12-16页 |
| Chapter One Cultural Hegemony in Postcolonial Criticism | 第16-29页 |
| ·A Brief Introduction of Postcolonial Criticism | 第16-17页 |
| ·Cultural Hegemony in Antonio Gramsci's Theory | 第17-19页 |
| ·Frantz Fanon's National Culture | 第19-22页 |
| ·New Concepts by Homi K.Bhabha | 第22-26页 |
| ·Spivak's Focus on Women in the Third World | 第26-29页 |
| Chapter Two Hegemony in the Relationship between Whites and Jewish Americans | 第29-44页 |
| ·Americanized Jewish Characters—Lesser and Levenspiel | 第29-32页 |
| ·Reasons behind Americanization | 第32-40页 |
| ·The Victory of Cultural Hegemony Over Jews | 第40-44页 |
| Chapter Three Hegemony in the Relationship between Whites and Blacks | 第44-59页 |
| ·Cultural Hegemony against Blacks in America | 第44-48页 |
| ·Willie's Revolutionary Spirit and the Influence of Harlem Renaissance | 第48-54页 |
| ·The Conflict Willie Suffered in Writing | 第54-59页 |
| Chapter Four Hegemony in the Relation between Jews and Blacks—the Battle between Lesser and Willie | 第59-84页 |
| ·A Brief Introduction of the Historical Relation between Jews and Blacks | 第59-63页 |
| ·Three Types of Relations between Willie and Lesser in The Tenant | 第63-79页 |
| ·Reasons behind the Failure of Willie and Lesser | 第79-84页 |
| Chapter Five A "New" Woman against Hegemony—Irene Bell's Relations with Lesser and Willie | 第84-94页 |
| ·Irene Bell's Development | 第84-90页 |
| ·Comments by Critics on Malamudian Women | 第90-94页 |
| Conclusion Malamud's Response to Postcolonial Criticism | 第94-101页 |
| Works Cited | 第101-105页 |
| Acknowledgements | 第105页 |
