| Acknowledgements | 第1-6页 |
| Abstract | 第6-7页 |
| 摘要 | 第7-10页 |
| Chapter 1 Introduction | 第10-17页 |
| ·Introduction of Animation Shrek Series | 第10-13页 |
| ·Shrek: All Stories’ Start | 第11页 |
| ·Shrek 2: Meeting Parents-in-Law | 第11-12页 |
| ·Shrek the Third: Back to Far Far Away | 第12页 |
| ·Shrek Forever After: An Ogre in Midlife Crisis | 第12-13页 |
| ·About William Steig and His Shrek! | 第13-15页 |
| ·William Steig and His Art Works’ Origins | 第13-14页 |
| ·Shrek Series | 第14-15页 |
| ·Film Art in the Background of Advanced High Technology---Entertainment of Cartoon Animation from Shrek Series | 第15-17页 |
| Chapter 2 Thematical Exploration of Shrek Series in Movie Art | 第17-37页 |
| ·Theories Statements---Zygmunt Bauman’s Post-modernism and Consumerism | 第17-20页 |
| ·Shrek: A Classic Fairy Tale under the Wings of Post-modernism | 第20-24页 |
| ·Portrayal of Characters in Shrek | 第20-22页 |
| ·A Clsssic Fairy Tale of “Hollywood” | 第22-24页 |
| ·Subversion of Traditional Fairy Tales in Shrek | 第24-30页 |
| ·Subversion of The Traditional Fairy Tales’ Narrative Pattern | 第24-27页 |
| ·Subversion of the Traditional Fairy Tales’ Characters in Shrek | 第27-28页 |
| ·Subversion of Love Mode in Traditional Fairy Tales | 第28-29页 |
| ·Subversion of the Relationship between Traditional Art and Life | 第29-30页 |
| ·Incomplete Subversion in Shrek---Female Image of Fiona | 第30-35页 |
| ·Different Female Image | 第31-33页 |
| ·The Princess Still Waiting for Rescue | 第33-35页 |
| ·Examples of Thematical Thoughts in Shrek 2 and Shrek the Third | 第35-37页 |
| Chapter 3 Application of Animation Language in Shrek Series---Take Shrek 2 as the Main Example | 第37-49页 |
| ·Outline of Skills and Application of Animation Language | 第37-42页 |
| ·Animation Film is A Kind of Art and Language | 第37-38页 |
| ·Scene---The Foundation of Movie Language | 第38-39页 |
| ·Ways of Animation Film’s Performance | 第39-40页 |
| ·Basic Performance Method of Animation Film---Shot | 第40-42页 |
| ·Montage---Foundation of Movie Art | 第42-49页 |
| ·Background Information of Montage | 第42-43页 |
| ·History of Development and Definition of Montage | 第43-44页 |
| ·Function and Effect of Montage | 第44-46页 |
| ·Application of Rhetorical Functions of Montage and Montage Art of Time and Space in Shrek | 第46-49页 |
| Chapter 4 Movie Art in Animation Shrek Series behind the Screen | 第49-60页 |
| ·Simulation in Shrek Series | 第49-51页 |
| ·Lighting in Shrek Series | 第51-52页 |
| ·Magic of Movie Music in Shrek Series | 第52-58页 |
| ·3D Industry Perspective | 第58-60页 |
| Chapter 5 Conclusion | 第60-63页 |
| Bibliography | 第63-66页 |
| 发表论文和科研情况说明 | 第66-67页 |
