| Acknowledgements | 第1-4页 |
| Abstract | 第4-5页 |
| 摘要 | 第5-8页 |
| Chapter One Introduction | 第8-16页 |
| ·Previous studies on the relationship between Romantic literature & pantheism | 第8-11页 |
| ·A Romantic re-elaboration of pantheism | 第11-12页 |
| ·An overview of the poetic works of Wordsworth & Coleridge | 第12-15页 |
| ·Organization of the thesis | 第15-16页 |
| Chapter Two A Critical Review of the Religious Background and Thoughts of the Romantic Period | 第16-39页 |
| ·Religious thread | 第16-27页 |
| ·Destabilizing pantheist ingredients within Christianity | 第16-19页 |
| ·The religious evolution of pantheism | 第19-22页 |
| ·The upsurge and critique of reason in religion—from Deism to Kant | 第22-26页 |
| ·Pantheist inclination in Romantic religious view | 第26-27页 |
| ·Thoughts of the period | 第27-35页 |
| ·Romanticism in the light of Enlightenment and modernity | 第28-31页 |
| ·Conundrum & Inspiration for the Romantics: Kantian solution to his dualism | 第31-34页 |
| ·Provision for Romantic quest: the blend of German idealism & British empiricism | 第34-35页 |
| ·Capsulizing and defining | 第35-39页 |
| ·Pantheism versus atheism | 第36页 |
| ·Pantheism versus polytheism | 第36-37页 |
| ·The relationship between pantheism and Christianity | 第37-39页 |
| Chapter Three Pantheist Elements in the Infinite Unity as Reflected in the Poems of Wordsworth & Coleridge | 第39-63页 |
| ·A pantheist Unity behind the world | 第39-48页 |
| ·“The Solitary Reaper” & “one intellectual breeze” in “The Eolian Harp” —in pursuit of an absolute Unity | 第39-45页 |
| ·An immanent “God” manifested in “Tintern Abbey” —a Spinozaic autonomous system | 第45-48页 |
| ·The infiniteness and eternity of the pantheist Unity embodied in dynamics and diversity | 第48-55页 |
| ·“The stationary blasts of waterfalls” —a dynamic process of ceaseless self-innovation | 第49-52页 |
| ·The contrast between landscapes & the metaphor of music —“Multeity in Unity” | 第52-55页 |
| ·A living organism | 第55-63页 |
| ·“The Winander Boy”—organic principle over “minded”divine will | 第55-57页 |
| ·The metaphors of tree & stream—organic life of the absolute Unity | 第57-63页 |
| Chapter Four The Romantic Mark of the Quest for the Pantheist Unity | 第63-89页 |
| ·“An aerial cross” & a solitary traveller —a redemptive hope to surmount the individual’s finity | 第63-74页 |
| ·The contradiction between finite and infinite—the very reason for the quest | 第64-66页 |
| ·Break away from the delusion of finity | 第66-71页 |
| ·The dimension of time in the finite’s experience of the infinite | 第71-74页 |
| ·The backlit image of the shepherd --the emphasis on the individuality in the union | 第74-81页 |
| ·A complex organism condesed in “seed”—organic Unity in the finite | 第75-78页 |
| ·“A mind voyaging through strange seas of Thought alone” —the weight of the finite individual’s appeal | 第78-81页 |
| ·“Light” & “joy” in The Prelude —the role of imagination in connecting the individual & the infinite Unity | 第81-89页 |
| Chapter Five Conclusion | 第89-92页 |
| Works Cited | 第92-95页 |
| Selected Bibliography | 第95-99页 |
