| 摘要 | 第1-6页 |
| Abstract | 第6-8页 |
| Contents | 第8-10页 |
| List of Tables | 第10-11页 |
| Chapter 1 Introduction | 第11-16页 |
| ·A brief introduction of Ernest Hemingway and A Farewell to Arms | 第11-14页 |
| ·Origin of the study | 第14-15页 |
| ·Methodology, significance and organization of the study | 第15-16页 |
| Chapter 2 Literature Review | 第16-25页 |
| ·Literature review of A Farewell to Arms abroad | 第16-17页 |
| ·Literature review of A Farewell to Arms at home | 第17-20页 |
| ·Literature review about archetypal criticism abroad | 第20-21页 |
| ·Literature review about archetypal criticism at home | 第21-25页 |
| Chapter 3 Theoretical Foundation | 第25-36页 |
| ·A brief introduction of archetypal criticism | 第25-26页 |
| ·James George Frazer and the Cambridge School: the initial phase of archetypal criticism | 第26-28页 |
| ·Carl Gustav Jung' s collective unconsciousness: archetypal criticism in development | 第28-29页 |
| ·Northrop Frye and Anatomy of Criticism: the developed archetypal criticism | 第29-36页 |
| ·Formal phase: symbol as image | 第30-32页 |
| ·Mythical phase: symbol as archetype | 第32-36页 |
| Chapter 4 The Animal Images in A Farewell to Arms | 第36-61页 |
| ·The archetype of horses and its significance to the novel | 第37-50页 |
| ·The archetypal meaning of horses | 第37-40页 |
| ·Horses as a transportation tool, a symbol of turbulent life in the war | 第40-45页 |
| ·Horses as an entertainment tool, a symbol of crookedness of the war | 第45-50页 |
| ·The archetype of swallows and its significance to the novel | 第50-61页 |
| ·The archetypal meaning of swallows | 第50-52页 |
| ·Swallows, a symbol of Henry's expectation for a peaceful life | 第52-56页 |
| ·Swallows, a symbol of Catherine's expectation for a peaceful life | 第56-61页 |
| Chapter 5 Conclusion | 第61-65页 |
| References | 第65-71页 |
| Acknowledgements | 第71-72页 |
| 作者简介 | 第72页 |
